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Jul 13, 2018 · The book reveals Thomas was very much in charge of her company Daisy Productions, and she owned the series too, which gave her unusual power.
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- 7 sec
- 2.8K
- Broken Saw
- “That Girl” Won’T Change Show Title
- Marlo Thomas Enjoys Success in “That Girl”
- Hard Work Worth It
After “That Girl” proved a comedy success and a sort of personal triumph last season for the dark-haired, dark-eyed girl who played the title role, ABC executives suggested that the series be called “The Marlo Thomas Show.” Since that tag means stardom in television, Marlo’s immediate rejection of the idea is an indication of how much this woman in...
“I’d forgotten about being annoyed,” she said. “It’s amazing how fast you heal up once a source of irritation disappears.” She turned down the suggestion about retitling the show, she said, “because that’s what the show is about, that girl. It is not about Marlo Thomas.” A famous, affluent parent can help only up to a point. He can steer his child ...
Television stardom, for all its rewards, is hard work, and Marlo is a hard worker. She routinely spends a 14-hour day at the studio, goes to bed early and arises at dawn. She’s a contract bridge nut, and “usually arranges a Friday night game since Saturday and Sunday are free — except to learn lines. But by about the second hand, I’m so tired from ...
382 Followers, 309 Following, 82 Posts - Daisy Productions (@daisyproductionsau) on Instagram: "Award winning Filmmakers and Podcast Producers telling stories from the past to the present 🌼 🎥 Producer: @cassidykrygger & @hollywoodlandphotos"
View full company info for Daisy Productions. 1. That Girl. 1966–1971 TV-PG. 7.3 (3.2K) Rate. TV Series. An aspiring actress moves from her hometown of Brewster, New York, to try to make it big in New York City, having to take several offbeat "temp" jobs to support herself in between her various auditions and bit parts. Votes 3,192. 2.
Although never officially credited as such (Persky and Denoff were the series' creators and official executive producers), Thomas was also a de facto executive producer of the series through her Daisy Productions, which she formed specifically for the series; it was credited on-screen as the production company.
Daisy's House Productions aims to produce films that push the boundaries of creativity and inspire audiences. We believe in the power of cinema to bring people together and to tell stories that capture the human experience.
