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  1. John Hamburg
    American screenwriter and film director

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  1. en.wikipedia.org › wiki › John_HamburgJohn Hamburg - Wikipedia

    John Liman Hamburg (born May 26, 1970) is an American screenwriter, film director and producer.

  2. www.imdb.com › name › nm0357453John Hamburg - IMDb

    John Hamburg was born on 26 May 1970 in New York City, New York, USA. He is a producer and director, known for Little Fockers (2010), Why Him? (2016) and I Love You, Man (2009). He has been married to Christina Kirk since 24 September 2005.

  3. John Hamburg was born on May 26, 1970 in New York City, New York, USA. He is a producer and director, known for Little Fockers (2010), Why Him? (2016) and I Love You, Man (2009). He has been married to Christina Kirk since September 24, 2005.

  4. John Hamburg. Highest Rated: 85% Meet the Parents (2000) Lowest Rated: 7% Me Time (2022) Birthday: May 26, 1970. Birthplace: New York, New York, USA. Successful comedy writer/director John...

  5. Jan 16, 2024 · "Along Came Polly" writer/director John Hamburg looks back on the odd couple 2004 romantic comedy that flopped with critics, but won countless hearts.

  6. Mar 31, 2017 · In the almost 20 years since his first professional writing and directing effort, Safe Men, was released, John Hamburg has climbed to the top of Hollywood’s comedy ladder with his films having grossed over $1.5 Billion worldwide, and his words having launched dozens of iconic, quotable lines into the zeitgeist.

  7. Mar 17, 2009 · With screenwriting credits that include Zoolander, Meet the Parents and Meet the Fockers, John Hamburg has been behind some of the most memorable movie comedies in recent years.

  8. Aug 25, 2022 · ComingSoon Editor-in-Chief Tyler Treese spoke to Me Time writer and director John Hamburg about the upcoming Kevin Hart and Mark Wahlberg comedy.

  9. Aug 27, 2022 · Me Time director John Hamburg shares Mark Wahlberg & Kevin Hart's antics on set and recalls favorite lines from his film I Love You, Man.

  10. John Hamburg has long challenged notions of masculinity in his comedies as a screenwriter in films such as “Meet The Parents,” “Along Came Polly,” and “I Love You, Man.”

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