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  1. en.wikipedia.org › wiki › Julie_DashJulie Dash - Wikipedia

    Julie Ethel Dash (born October 22, 1952) is an American filmmaker, music video and commercial director, author, and website producer. Dash received her MFA in 1985 at the UCLA Film School and is one of the graduates and filmmakers known as the L.A. Rebellion.

  2. www.imdb.com › name › nm0201969Julie Dash - IMDb

    Julie Dash. Director: Reasonable Doubt. Thirty-one years ago, filmmaker Julie Dash broke racial and gender boundaries with her Sundance award-winning film (Best Cinematography) Daughters of the Dust. She became the first African American woman to have a wide theatrical release of her feature film.

    • January 1, 1
    • 1.75 m
    • Queens, New York, USA
  3. Thirty-one years ago, filmmaker Julie Dash broke through racial and gender boundaries with her Sundance award-winning film (Best Cinematography) Daughters of the Dust. She became the first African American woman to have a wide theatrical release of her feature film.

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  4. Nov 20, 2006 · Writer, producer, and director Julie Ethel Dash was born on October 22, 1952, in Manhattan, New York, to Rhudine Henderson and Charles Edward Dash. After graduating from Jamaica High School, Dash received her B.A. degree in film production from City Colleges of New York in 1974, and her M.F.A. degree in film and television at the University of ...

  5. Julie Dash. Director: Reasonable Doubt. Thirty-one years ago, filmmaker Julie Dash broke racial and gender boundaries with her Sundance award-winning film (Best Cinematography) Daughters of the Dust. She became the first African American woman to have a wide theatrical release of her feature film.

    • October 22, 1952
  6. Nov 18, 2016 · Julie Dashs 1991 film, “Daughters of the Dust,” was the first feature by an African-American woman to have a wide release. Yet many doors remained closed to her.

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  8. Nov 14, 2016 · We spoke with Julie Dash about the how “Daughters of the Dust” shows a remarkably different perspective on black history, its great costuming and what she wants to see in black film going forward.

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