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Daniel Mainwaring (February 27, 1902 – January 31, 1977) was an American novelist and screenwriter. Biography. A native of Oakland, California, Mainwaring began his professional career as a journalist for the San Francisco Chronicle and enjoyed a successful career as a mystery novelist (under the name Geoffrey Homes).
Daniel Mainwaring was born on 27 February 1902 in Oakland, California, USA. He was a writer, known for Invasion of the Body Snatchers (1956), Out of the Past (1947) and Against All Odds (1984). He died on 31 January 1977 in Los Angeles, California, USA.
- Writer, Additional Crew
- February 27, 1902
- Daniel Mainwaring
- January 31, 1977
Dec 23, 2022 · Well, it did happen and the screenwriter, Daniel Mainwaring (1902-1977), is pretty much forgotten today. Which two genre-defining movies, you may ask? He’s responsible for the novel and adaptation of film noir classic Out of the Past (written under the pseudonym Geoffrey Homes and remade in 1984 as Against All Odds) and the sci-fi classic ...
- Daniel Martin Eckhart
Daniel Mainwaring was born on 27 February 1902 in Oakland, California, USA. He was a writer, known for Invasion of the Body Snatchers (1956), Out of the Past (1947) and Against All Odds (1984). He died on 31 January 1977 in Los Angeles, California, USA.
Daniel Mainwaring (aka Geoffrey Homes) (July 22, 1902 – January 31, 1977) was an American novelist and screenwriter. A native of Oakland, California, he began his professional career as a journalist for the San Francisco Chronicle and enjoyed a successful career as a mystery novelist (under the name Geoffrey Homes).
Oct 19, 2021 · Daniel Mainwaring - Fascinating People, Fascinating Places. January 31, 2022. Season 3 Fascinating Interviews. I have been incredibly busy this month recording interviews for season 3 of Fascinating People, Fascinating... Read More. New Writing. January 2, 2022. My Podcast.
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Daniel Mainwaring (pronounced Man-a-RING) wrote both the original novel (Build My Gallows High) and the screenplay for Out of the Past (1947). He alone is responsible for the thematic density of the film in which such ultimate noir elements as betrayal, the femme fatale, and the frame-up are combined with reckless abandon.
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