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Barry Lyndon is a 1975 epic historical drama film written, directed, and produced by Stanley Kubrick, based on the 1844 novel The Luck of Barry Lyndon by William Makepeace Thackeray.
Barry Lyndon: Directed by Stanley Kubrick. With Ryan O'Neal, Marisa Berenson, Patrick Magee, Hardy Krüger. An Irish rogue wins the heart of a rich widow and assumes her dead husband's aristocratic position in 18th-century England.
Sep 9, 2009 · Stanley Kubrick's "Barry Lyndon," received indifferently in 1975, has grown in stature in the years since and is now widely regarded as one of the master's best. It is certainly in every frame a Kubrick film: technically awesome, emotionally distant, remorseless in its doubt of human goodness.
An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon.
- (84)
- Drama
- PG
The Luck of Barry Lyndon is a picaresque novel by English author William Makepeace Thackeray, first published as a serial in Fraser's Magazine in 1844, about a member of the Irish gentry trying to become a member of the English aristocracy.
The rise and fall of the adult life of Irishman Redmond Barry (Ryan O'Neal), who, in his later life, would be known as Barry Lyndon, from the mid to late eighteenth century, is presented.
Barry Lyndon. Stanley Kubrick bent the conventions of the historical drama to his own will in this dazzling vision of a pitiless aristocracy, adapted from a novel by William Makepeace Thackeray.
Barry Lyndon. Ryan O'Neal and Marisa Berenson star in director Stanley Kubrick's lavish adaptation of William Makepeace Thackeray's classic 18th-century novel about the rise and fall of a sensitive and dashing rogue, The Memoirs of Barry Lyndon, Esq..
An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon.
Barry Lyndon, falling in and out of love and success, may see no pattern in his own affairs, but the artist sees one for him. Perhaps Kubrick’s buried theme in “Barry Lyndon” is even similar to his outlook in “2001: A Space Odyssey.”
