Yahoo Web Search

Search results

  1. Privileging his artist vision, Leenhardt made only three feature-length fiction films: Les Dernières Vacances (1948), Le Rendez-vous de minuit (1961), and, for television, Une fille dans la montagne (1964). Moreover, Roger Leenhardt appeared in three films as an actor. In Les Dernières vacances, he is the teacher.

  2. Roger Leenhardt est un réalisateur, acteur, scénariste et producteur de cinéma français, né le 23 juillet 1903 à Montpellier, et, mort le 4 décembre 1985 dans le 6 e arrondissement de Paris. C’est l’« éminence grise de l'intelligence cinématographique » comme le qualifie André Bazin .

  3. Jun 9, 2021 · In the 1950s Les Films du Compas was renamed Les Films Roger Leenhardt/FRL. Of the films discussed here, all except two can be accessed on the firm’s Vimeo page ( https://vimeo.com/user26360121/videos ).

    • Colin Burnett
    • 2021
  4. People also ask

  5. Download Free PDF. View PDF. FRENCH SCREEN STUDIES https://doi.org/10.1080/26438941.2021.1912478 ARTICLE Roger Leenhardt’s world, viewed: rethinking colonial film and realist film theory in 1930s France Colin Burnett Film and Media Studies, Washington University in St. Louis, St. Louis, MO, USA ABSTRACT KEYWORDS Of his mentor Roger Leenhardt ...

    • Colin Burnett
  6. Jul 28, 2018 · Director: Roger Leenhardt. Stars: Odile Versois, Michel François, Jean Lara, Renée Devillers, Pierre Dux, Frédéric Munié, Raymond Farge, Marcelle Monthil, Christiane Barry, Berthe Bovy, Jean d’Yd, Didier d’Yd, Paul Faivre, Gérard Gervais, Arlette Wherly.

  7. Director: The Last Vacation. Roger Leenhardt was born on 23 July 1903 in Montpellier, Hérault, France. He was a director and writer, known for The Last Vacation (1948), Paul Valéry (1960) and Le rendez-vous de minuit (1962). He died on 4 December 1985 in Paris, France.

    • January 1, 1
    • Montpellier, Hérault, France
    • January 1, 1
    • Paris, France
  8. Late in his career, filmmaker and theorist Roger Leenhardt (1903–1985) published two enigmatic statements that suggest that he was increasingly sceptical of the idea, which he himself had defended in the 1930s, that film’s realist potential depended

  1. People also search for