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  1. Ex-Testament metal guitarist Alex Skolnick (also Attention Deficit band mate) and ex-Dregs ax man Steve Morse provide guitar work. The album opens with a bang. The first thing I noticed looking through the liner notes was that the opener, Big Fungus had no guitarist, yet there was a distinct "guitar" sound carrying the main theme.

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  2. en.wikipedia.org › wiki › Steve_MorseSteve Morse - Wikipedia

    Steve J. Morse (born July 28, 1954) is an American guitarist, best known as the founder of the Dixie Dregs and as the guitarist for Deep Purple from 1994 to 2022. Morse has also enjoyed a successful solo career and was a member of the group Kansas in the mid-1980s.

  3. S teve Morse is one of very few guitarists who have an instantly identifiable sound. His singular approach involves alternate picked arpeggios, creative harmonics and highly-complex chord structures. The combination of that and his prolific and inventive compositions have yielded a storied and diverse 45-year career.

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  5. Guitar [2nd Solo] – Steve Morse. Bass, Bass [Hyperbass 1st Solo], Keyboards – Michael Manring. ... Michael Manring - Thonk - 10 - You Offered Only Parabolas. 6:13 ...

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    • Europe
    • 10
    • CD, Album
  6. Former Primus Drummer Tim "Herb" Alexander and ex-Journey turned jazz session percussionist Steve Smith provide the battery. Ex-Testament metal guitarist Alex Skolnick (also Attention Deficit band mate) and ex-Dregs ax man Steve Morse provide guitar work. The album opens with a bang.

  7. Michael’s instrument of choice is the bass. This 1994 release is just that, a clinic. Michael has surrounded himself with fabulous musicians, including the master Steve Morse, and leads them on an audio journey that shreds. Using his bass Manring expresses sentiment reminiscent of the style of Jaco. The bass is always the lead yet never ...

  8. Helping Manring out on the album are a few musicians who know a thing or two about genre-blurring themselves: guitarists Steve Morse and Alex Skolnick, and drummer Herb Alexander. Thonk adheres to Manring’s long-standing desire to "show that the bass is a vital and expressive instrument which has a great deal to say."

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