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  1. Jules Furthman (March 5, 1888 – September 22, 1966) was an American magazine and newspaper writer before working as a screenwriter. Pauline Kael once wrote that Furthman "has written about half of the most entertaining movies to come out of Hollywood ( Ben Hecht wrote most of the other half.)"

  2. Furthman became one of the most prolific, and well-known, screenwriters of his time, and was responsible for the screenplays of some of Hollywood's most highly regarded films, such as Mutiny on the Bounty (1935), To Have and Have Not (1944) and Nightmare Alley (1947).

    • January 1, 1
    • Chicago, Illinois, USA
    • January 1, 1
    • Oxford, Oxfordshire, England, UK
  3. Furthman became one of the most prolific, and well-known, screenwriters of his time, and was responsible for the screenplays of some of Hollywood's most highly regarded films, such as Mutiny on the Bounty (1935), To Have and Have Not (1944) and Nightmare Alley (1947).

    • Writer, Director, Additional Crew
    • March 5, 1888 in Chicago, Illinois, USA
    • Julius Grinnell Furthman
    • March 5, 1888
  4. Furthman became one of the most prolific, and well-known, screenwriters of his time, and was responsible for the screenplays of some of Hollywood's most highly regarded films, such as Mutiny on the Bounty (1935), To Have and Have Not (1944) and Nightmare Alley (1947).

  5. Nightmare Alley is a 1947 American film noir directed by Edmund Goulding from a screenplay by Jules Furthman. Based on William Lindsay Gresham's 1946 novel of the same name, it stars Tyrone Power, with Joan Blondell, Coleen Gray, and Helen Walker in supporting roles.

  6. FURTHMAN, Jules. Writer. Pseudonym: Stephen Fox. Nationality: American. Born: Julius Grinnell Furthmann in Chicago, Illinois, 5 March 1888. Education: Attended Northwestern University Preparatory School, Evanston, Illinois, 1904–05. Family: Married Sybil Travilla, 1921.

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  8. The Jules Furthman papers span the years circa 1920 to 1958 and encompass 11 linear feet. The collection consists of production files (produced and unproduced), story files, and subject files. The bulk of the material documents Furthman’s work as a screenwriter from the silent era to the late 1950s.

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