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  1. Nov 22, 2008 · Hal Haberman and Jeremy Passmore’s Special is good enough in various particulars that its token theatrical release—nearly three years after its Sundance Film Festival debut—is more than slightly bittersweet. The filmmakers rest their depressive character study on the able shoulders of actor Michael Rapaport, who pushes the film forward ...

  2. Nov 21, 2008 · Going Bonkers, Superhero Style. ... Written and directed by Hal Haberman and Jeremy Passmore, “Special” puts an indie spin on the current Hollywood vogue for moody superhero psychodrama. Or ...

    • Bestor Cram, Mike Majoros
  3. Special is a 2006 superhero film, [3] combining elements from several genres: comedy-drama, psychological thriller, satire, and science fiction. It was written and directed by Hal Haberman and Jeremy Passmore. The film was released in theatres in the United Kingdom on November 17, 2006, and on DVD in the United Kingdom on March 5, 2007.

  4. www.imdb.com › title › tt0479162Special (2006) - IMDb

    Nov 17, 2006 · Special: Directed by Hal Haberman, Jeremy Passmore. With Michael Rapaport, Paul Blackthorne, Josh Peck, Robert Baker. A lonely comic book fan, Les Franken, has a reaction to medication and becomes convinced he's a superhero.

    • (5.9K)
    • Comedy, Drama, Sci-Fi
    • Hal Haberman, Jeremy Passmore
    • 2006-11-17
  5. Browse Getty Images' premium collection of high-quality, authentic Hal Haberman stock photos, royalty-free images, and pictures. Hal Haberman stock photos are available in a variety of sizes and formats to fit your needs.

  6. www.imdb.com › name › nm1265927Hal Haberman - IMDb

    Hal Haberman is known for Special (2006), Broken (2000) and A Quiet Little Marriage (2008). Menu. Movies. Release Calendar Top 250 Movies Most Popular Movies Browse ...

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  8. Nov 9, 2008 · Directors Hal Haberman and Jeremy Passmore generate initial mystery by adhering to Les’s perspective, yet once it’s revealed that he is, in fact, not walking through walls but simply into them (hence the bloody noses), the filmmakers haphazardly flip-flop between subjective and objective POVs in order to create phony ambiguity about Les’s ...