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When did cinematography become a part of the Academy Awards?
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Which black-and-white films have won the most Oscars?
Cinematography (Black-and-White) - Bert Glennon Directing - John Ford Film Editing - Otho Lovering, Dorothy Spencer Outstanding Production - Walter Wanger (production company)
The 12th Academy Awards ceremony, held on February 29, 1940 by the Academy of Motion Picture Arts and Sciences (AMPAS), honored the best in film for 1939 at a banquet in the Coconut Grove at The Ambassador Hotel in Los Angeles.
From 1939 to 1967 with the exception of 1957, there were also separate awards for color and black-and-white cinematography. After Who's Afraid of Virginia Woolf? (1966), the most recent black-and-white films to win since then are Schindler's List (1993), Roma (2018) and Mank (2020).
Mar 28, 2021 · By the 1940s, two full Academy Awards were given out for cinematography each year, divided into black & white and color. This would continue until 1967 when color and black & white films would finally be judged against each other for a single Best Achievement in Cinematography award.
Cinematography (Black-and-White) - Gregg Toland Film Editing - Sherman Todd Music (Original Score) - Richard Hageman Outstanding Production - Argosy-Wanger Special Effects - Photographic Effects by R. T. Layton, R. O. Binger; Sound Effects by Thomas T. Moulton
Leon Shamroy and Joseph Ruttenberg have won the most Academy Awards for best cinematography (four). Below is a list of the winning cinematographers and the films for which they won. The years indicate when the eligible films were released. 1920s and 1930s. 1927–28: Charles Rosher and Karl Struss ( Sunrise)
Rebecca won two Academy Awards: Best Picture and Best Cinematography; and was nominated for nine more: It is the only film since 1936 (when awards for actors in supporting roles were first introduced) that, despite winning Best Picture, received no Academy Award for acting, directing or writing.
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