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Art Direction (Black-and-White) - Art Direction: Fernando Carrere; Set Decoration: Edward G. Boyle Cinematography (Black-and-White) - Franz F. Planer Costume Design (Black-and-White) - Dorothy Jeakins Sound - Samuel Goldwyn Studio Sound Department, Gordon E. Sawyer, Sound Director
Academy of Motion Picture Arts and Sciences (AMPAS) First awarded. 1929. Most recent winner. Hoyte van Hoytema. Oppenheimer ( 2023) Website. oscars .org. The Academy Award for Best Cinematography is an Academy Award awarded each year to a cinematographer for work on one particular motion picture .
- Best Picture
- Directing
- Actor
- Actress
- Actor in A Supporting Role
- Actress in A Supporting Role
- Writing
- Music
- Film Editing
- Cinematography
Lawrence of Arabia – Sam Spiegel The Longest Day – Darryl F. Zanuck Meredith Willson’s The Music Man – Morton Da Costa Mutiny on the Bounty – Aaron Rosenberg To Kill a Mockingbird– Alan J. Pakula
David and Lisa – Frank Perry Divorce–Italian Style – Pietro Germi Lawrence of Arabia – David Lean The Miracle Worker – Arthur Penn To Kill a Mockingbird– Robert Mulligan
Burt Lancaster – Birdman of Alcatraz Jack Lemmon – Days of Wine and Roses Marcello Mastroianni – Divorce–Italian Style Peter O’Toole – Lawrence of Arabia Gregory Peck – To Kill a Mockingbird
Anne Bancroft – The Miracle Worker Bette Davis – What Ever Happened to Baby Jane? Katharine Hepburn – Long Day’s Journey into Night Geraldine Page – Sweet Bird of Youth Lee Remick – Days of Wine and Roses
Ed Begley – Sweet Bird of Youth Victor Buono – What Ever Happened to Baby Jane? Telly Savalas – Birdman of Alcatraz Omar Sharif – Lawrence of Arabia Terence Stamp – Billy Budd
Mary Badham – To Kill a Mockingbird Patty Duke – The Miracle Worker Shirley Knight – Sweet Bird of Youth Angela Lansbury – The Manchurian Candidate Thelma Ritter – Birdman of Alcatraz
David and Lisa – Eleanor Perry Lawrence of Arabia – Robert Bolt, Michael Wilson Lolita – Vladimir Nabokov The Miracle Worker – William Gibson To Kill a Mockingbird– Horton Foote
“Days Of Wine And Roses” – Days of Wine and Roses – Music by Henry Mancini; Lyrics by Johnny Mercer “Love Song From Mutiny On The Bounty (Follow Me)” – Mutiny on the Bounty – Music by Bronislau Kaper; Lyrics by Paul Francis Webster “Song From Two For The Seesaw (Second Chance)” – Two for the Seesaw – Music by Andre Previn; Lyrics by Dory Langdon “T...
Lawrence of Arabia – Anne Coates The Longest Day – Samuel E. Beetley The Manchurian Candidate – Ferris Webster Meredith Willson’s The Music Man – William Ziegler Mutiny on the Bounty– John McSweeney, Jr.
Birdman of Alcatraz – Burnett Guffey The Longest Day – Jean Bourgoin, Walter Wottitz, (Henri Persin) To Kill a Mockingbird – Russell Harlan Two for the Seesaw – Ted McCord What Ever Happened to Baby Jane?– Ernest Haller
35th →. The 34th Academy Awards, honoring the best in film for 1961, were held on April 9, 1962, hosted by Bob Hope at the Santa Monica Civic Auditorium in Santa Monica, California . Robert Wise and Jerome Robbins became the first Best Director co-winners for West Side Story. The film won 10 of its 11 nominations, including Best Picture and ...
Best Motion PictureBest DirectorWest Side Story – Robert Wise, producer ...Robert Wise and Jerome Robbins – West ...Maximilian Schell – Judgment at Nuremberg ...Sophia Loren – Two Women as Cesira Audrey ...George Chakiris – West Side Story as ...Rita Moreno – West Side Story as Anita ...Splendor in the Grass – William Inge ...Judgment at Nuremberg – Abby Mann ...Check winners and nominations of 1962 Academy Awards. Check awards winners of 35th Academy Awards. ... Academy Award for Best Cinematography, Black-and-White. Jean ...
Aug 1, 1998 · Shot in CinemaScope, The Longest Day earned both Academy and Golden Globe Awards for Best Black-and-White Cinematography, as well as an Oscar for Best Special Effects. The picture was shot in black-and-white in part to match brief-yet-essential WWII combat footage clips that would be intercut with the narrative dramatic scenes to enhance the ...
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Art Direction (Black-and-White) - Art Direction: Carroll Clark; Set Decoration: Emile Kuri, Hal Gausman Cinematography (Black-and-White) - Edward Colman Special Effects - Visual Effects by Robert A. Mattey, Eustace Lycett
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