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William C. Mellor
- Best Cinematography, Black-and-White: A Place in the Sun – William C. Mellor (WINNER)
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* Cinematography (Black-and-White) - William C. Mellor * Costume Design (Black-and-White) - Edith Head * Directing - George Stevens * Film Editing - William Hornbeck * Music (Music Score of a Dramatic or Comedy Picture) - Franz Waxman
- Best Motion Picture
- Directing
- Actor
- Actress
- Actor in A Supporting Role
- Actress in A Supporting Role
- Writing
- Music
- Film Editing
- Cinematography
The Greatest Show on Earth – Cecil B. DeMille High Noon – Stanley Kramer Ivanhoe – Pandro S. Berman Moulin Rouge – Romulus Films The Quiet Man– John Ford, Merian C. Cooper
Five Fingers – Joseph L. Mankiewicz The Greatest Show on Earth – Cecil B. DeMille High Noon – Fred Zinnemann Moulin Rouge – John Huston The Quiet Man– John Ford
Marlon Brando – Viva Zapata! Gary Cooper – High Noon Kirk Douglas – The Bad and the Beautiful José Ferrer – Moulin Rouge Alec Guinness – The Lavender Hill Mob
Shirley Booth – Come Back, Little Sheba Joan Crawford – Sudden Fear Bette Davis – The Star Julie Harris – The Member of the Wedding Susan Hayward – With a Song in My Heart
Richard Burton – My Cousin Rachel Arthur Hunnicutt – The Big Sky Victor McLaglen – The Quiet Man Jack Palance – Sudden Fear Anthony Quinn – Viva Zapata!
Gloria Grahame – The Bad and the Beautiful Jean Hagen – Singin’ in the Rain Colette Marchand – Moulin Rouge Terry Moore – Come Back, Little Sheba Thelma Ritter – With a Song in My Heart
The Greatest Show on Earth – Fredric M. Frank, Theodore St. John, Frank Cavett My Son John – Leo McCarey The Narrow Margin – Martin Goldsmith, Jack Leonard The Pride of St. Louis – Guy Trosper The Sniper– Edna Anhalt, Edward Anhalt
“Am I In Love” – Son of Paleface – Music, Lyrics by Jack Brooks “Because You’re Mine” – Because You’re Mine – Music by Nicholas Brodszky; Lyrics by Sammy Cahn “High Noon (Do Not Forsake Me, Oh My Darlin’)” – High Noon – Music by Dimitri Tiomkin; Lyrics by Ned Washington “Thumbelina” – Hans Christian Andersen – Music, Lyrics by Frank Loesser “Zing A...
Come Back, Little Sheba – Warren Low Flat Top – William Austin The Greatest Show on Earth – Anne Bauchens High Noon – Elmo Williams, Harry Gerstad Moulin Rouge– Ralph Kemplen
The Bad and the Beautiful – Robert Surtees The Big Sky – Russell Harlan My Cousin Rachel – Joseph LaShelle Navajo – Virgil E. Miller Sudden Fear– Charles B. Lang, Jr.
From 1939 to 1967 with the exception of 1957, there were also separate awards for color and black-and-white cinematography. After Who's Afraid of Virginia Woolf? (1966), the most recent black-and-white films to win since then are Schindler's List (1993), Roma (2018) and Mank (2020).
Best Cinematography, Black-and-White Best Cinematography, Color; A Place in the Sun – William C. Mellor‡ Death of a Salesman – Franz Planer; The Frogmen – Norbert Brodine; Strangers on a Train – Robert Burks; A Streetcar Named Desire – Harry Stradling; An American in Paris – Alfred Gilks; Ballet Photography by John Alton‡
Mar 28, 2021 · By Sam Kench on March 28, 2021. Major Awards: Best Picture. Best Director. Acting. Best Actress. Best Supporting Actress. Best Actor. Best Supporting Actor. Best Original Screenplay. Best Adapted Screenplay. Best Film Editing. Best Visual Effects. Best Cinematography. Best Animated Short Film. Best Animated Feature Film.
Memorable Moments. La Strada. Host Jerry Lewis with Dino De Laurentiis and Federico Fellini, producer and director of the Foreign Language Film winner from Italy. Dorothy Malone and Anthony Quinn. Supporting Actress winner for Written on the Wind and Supporting Actor winner for Lust for Life. Yul Brynner.
Apr 19, 2024 · From 1929 to 1967, there were separate awards for color and black-and-white cinematography. Floyd Crosby won the award for Tabu in 1931, the last silent film to win in this category. Hal Mohr won the only write-in Academy Award in 1935 for Cleopatra.
