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  1. Ernesto Gastaldi

    Ernesto Gastaldi

    Italian screenwriter

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  1. Ernesto Gastaldi (born 10 September 1934) is an Italian screenwriter. Film historian and critic Tim Lucas described Gastaldi as the first Italian screenwriter to specialize in horror and thriller films. Gastaldi worked within several popular genres including pepla, Western and spy films.

  2. Ernesto Gastaldi. Writer: My Name Is Nobody. Graduated in direction and screenwriting at Centro Sperimentale di Cinematografia of Roma in 1957 and in Economy in 1967. He wrote more than one hundred movies of all kind and a dozen of novels. He signed some scripts and his SF novels as Julian Berry.

    • January 1, 1
    • 1 min
    • Graglia, Piedmont, Italy
  3. Ernesto Gastaldi. Writer: My Name Is Nobody. Graduated in direction and screenwriting at Centro Sperimentale di Cinematografia of Roma in 1957 and in Economy in 1967. He wrote more than one hundred movies of all kind and a dozen of novels.

  4. Long interview with screenwriter Ernesto Gastaldi, who wrote more than a hundred movies during the golden age of Italian genre cinema. Among them Mario Bava’s THE WHIP AND THE BODY, Umberto Lenzi’s ALMOST HUMAN and the Sergio Leone produced MY NAME IS NOBODY.

    • Ernesto Gastaldi1
    • Ernesto Gastaldi2
    • Ernesto Gastaldi3
    • Ernesto Gastaldi4
  5. Apr 7, 2020 · This is the English translation of an interview with screenwriter Ernesto Gastaldi conducted by Luigi Cozzi. The interview was originally published in Italian, in the Italian monthly magazine Horror, in April 1970.

  6. Ernesto Gastaldi is known as an Screenplay, Story, Writer, Actor, Director, Additional Dialogue, First Assistant Director, Assistant Director, Dialogue, Novel, and Producer. Some of his work includes My Name Is Nobody, Torso, A Genius, Two Friends, and an Idiot, The Strange Vice of Mrs Wardh, Day of Anger, All the Colors of the Dark, The Whip ...

  7. Screenwriter Ernesto Gastaldi confirmed Valerii's comments stating that "Tonino shot the whole film, absolutely ON HIS OWN", and that Leone "organized a second unit crew and shot a couple of sequences, which in my opinion are the weakest in the film: the urinal, stretched in an abnormal way, and the glass contest in the saloon. Nothing else."

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