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Lost Highway is a 1997 surrealist neo noir film directed by David Lynch and co-written by Lynch and Barry Gifford. It stars Bill Pullman , Patricia Arquette , Balthazar Getty , and Robert Blake in his final film role.
Jan 15, 1997 · Lost Highway: Directed by David Lynch. With Bill Pullman, Patricia Arquette, John Roselius, Louis Eppolito. Anonymous videotapes presage a musician's murder conviction, and a gangster's girlfriend leads a mechanic astray.
Fred Madison, a saxophonist, is accused under mysterious circumstances of murdering his wife Renee. On death row, he inexplicably morphs into a young man named Pete Dayton, leading a completely different life.
From this inventory of imagery, Lynch fashions two separate but intersecting stories, one about a jazz musician (Bill Pullman), tortured by the notion that his wife is having an...
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Feb 27, 1997 · David Lynch's "Lost Highway'' is like kissing a mirror: You like what you see, but it's not much fun, and kind of cold. It's a shaggy ghost story, an exercise in style, a film made with a certain breezy contempt for audiences.
Lost Highway. “We’ve met before, haven’t we?” A mesmerizing meditation on the mysterious nature of identity, Lost Highway, David Lynch’s seventh feature film, is one of the filmmaker’s most potent cinematic dreamscapes.
Oct 24, 2022 · "Lost Highway" is an oblique nightmare that swirls haphazardly around themes of identity and sexual insecurity. Its main character — who may be two main characters — is lost...
After a bizarre encounter at a party with a stranger, a jazz saxophonist is framed for the murder of his wife and sent to prison, where he inexplicably morphs into a young mechanic, gets released, and begins leading a new life.
Feb 18, 1997 · A tormented jazz musician finds himself lost in an enigmatic story involving murder, surveillance, gangsters, doppelgängers, and an impossible transformation inside a prison cell.
Oct 11, 2022 · David Lynch’s Lost Highway is defined by a specific anxiety that isn’t present in Mulholland Drive or Inland Empire. It’s an embodiment of a pensive male anxiety, and for some cultural reason it’s easier for audiences to accept female hysteria than the insecurities of men.