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Daniel Pemberton (born 3 November 1977) is an English composer and songwriter. Primarily working in film, television, and video games, he is best known for composing the scores for the film Spider-Man: Into the Spider-Verse and its sequel Spider-Man: Across the Spider-Verse, the latter of which earned him a number of award nominations ...
Daniel Pemberton was born on 3 November 1977 in the UK. He is a composer and actor, known for The Trial of the Chicago 7 (2020), Spider-Man: Across the Spider-Verse (2023) and Steve Jobs (2015).
Jun 9, 2023 · Composer Daniel Pemberton pushed a few boundaries and “made something really creative and different” when he scored 2018’s “Spider-Man: Into the Spider-Verse.”
Jul 13, 2023 · Daniel Pemberton tells us about doing the music for Spider-Man: Across the Spider-Verse, Michael Mann’s Ferrari & his thoughts on AI and it's impact.
Composer Daniel Pemberton goes record shopping at Amoeba Music in Hollywood. Daniel Pemberton's original score for "Spider-Man: Across the Spider-Verse" is a...
Daniel Pemberton is an Ivor Novello winning and multi-BAFTA nominated composer well known for embracing a wide range of musical mediums – from electronic to orchestral – throughout his work.
Composer Daniel Pemberton takes you behind the score of Spider-Man: Across the Spider-Verse with an inside look at "Start a Band."
Welcome to the official YouTube channel of Daniel Pemberton, Composer, and Songwriter extraordinaire! Dive into a world of mesmerizing melodies, captivating compositions, and evocative...
Dec 17, 2023 · Daniel Pemberton is one of the most unique and fascinating composers working in film. Even his physical approach to composition - such as his Golden Globe-nominated work on Danny Boyle’s Steve Jobs, where he utilized a different workstation and technologies for each of the film’s three time-hopping settings - feels like an immersion within ...
Jun 16, 2018 · Gifted Golden Globes nominated composer, Daniel Pemberton speaks on remodeling the work of Bach within his explosive hybrid score for Ocean’s 8, how he convinced Aaron Sorkin to let him capture the essence of a rock band for Molly’s Game, and the innovative sequence he’s most proud of from medieval.
