2002
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Jan 1, 2001 · Rich in atmosphere, Killing the Shadows uses the backdrops of city and country to create an air of threatening menace, culminating in a tense confrontation between hunter and hunted, a confrontation that can have only one outcome. 576 pages, Paperback.
- (5.7K)
- Paperback
The heroine of ”Killing the Shadows” is Fiona Cameron, Kit’s lover, an academic psychologist who has aided the police in finding killers. She is not a behaviorist. Not for her what she calls ”the touchy-feely ‘wet the bed when he was 9 and tortured the neighbor’s cat’ stuff.”
Jan 27, 2015 · Killing the Shadows. MP3 CD – Unabridged, January 27, 2015. A killer is on the loose, blurring the line between fact and fiction. His prey—the writers of crime novels who have turned psychological profilers into the heroes of the nineties. But this killer is like no other.
- (5.7K)
- Val McDermid
- MP3 CD
Jan 16, 2010 · Rich in atmosphere, Val McDermid's Killing the Shadows uses the backdrops of city and country to create an air of threatening menace, culminating in a tense confrontation between hunter and hunted, a confrontation that can have only one outcome. A killer is on the loose, blurring the line between fact and fiction.
- MacmillanPrice set by seller.
- $12.99
Jan 1, 2001 · Killing the Shadows Hardcover – January 1, 2001. by Val McDermid (Author) 5,953. See all formats and editions. When a killer who stalks crime writers murders her boyfriend, a prominent author, Professor Fiona Cameron is on the case, using her computer knowledge to hunt him down. By the author of A Place of Execution. 50,000 first printing.
- (6K)
- Val McDermid
Aug 19, 2002 · Rich in atmosphere, Killing the Shadows uses the backdrops of city and country to create an air of threatening menace, culminating in a tense confrontation between hunter and hunted, a confrontation that can have only one outcome.
Jan 16, 2010 · Overview. Rich in atmosphere, Val McDermid's Killing the Shadows uses the backdrops of city and country to create an air of threatening menace, culminating in a tense confrontation between hunter and hunted, a confrontation that can have only one outcome. A killer is on the loose, blurring the line between fact and fiction.
