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Learn from Erik Bork, a two time Emmy and Golden Globe winning writer/producer, how to write a strong core idea for your script. Enroll in his video course, get script consulting, or sign up for writing coaching with Erik.
Erik Bork is a screenwriter, producer, script consultant and blogger best known for his work on the HBO miniseries Band of Brothers and From the Earth to the Moon, for which he wrote multiple episodes, and won two Emmy and two Golden Globe Awards as part of the producing team.
Multiple Emmy-winning writer-producer Erik Bork (BAND OF BROTHERS) offers script consulting to screenwriters at all levels.
- Punishing. Not only does it take the whole story to solve, but the main character spends virtually every scene trying to solve it. But they can’t, because it is so vexing and complicated — and it generally only gets more so as they try to address it.
- Relatable. The main character of a story — and what they’re dealing with, and why it matters — is easy to identify with on a human level. Because of this, we in the audience are able to strongly care that they reach their desired outcome, and want to stay with the story.
- Original. Something about the premise of the story and its approach is fresh, brand new, and hasn’t been seen before — even though it also fits within the conventions of good storytelling and genre.
- Believable. It’s easy for someone hearing or reading the basic idea to understand and buy into it, even if it requires taking a leap and suspending disbelief, in some clearly defined way.
Erik Bork was born on 5 August 1965 in the USA. He is a producer and writer, known for From the Earth to the Moon (1998), Band of Brothers (2001) and I Got This (2018).
- Producer, Writer, Director
- August 5, 1965
- Erik Bork
Dec 4, 2018 · BUY THE BOOK - THE IDEA: The Seven Elements of a Viable Story for Screen, Stage or Fiction by Erik Bork - https://amzn.to/2p3cJVG In this Film Courage video interview screenwriter/author Erik...
- 89 min
- 133.4K
- Film Courage
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Sep 3, 2018 · Emmy-winning screenwriter Erik Bork also recognizes this problem and solves it with a different kind of P-R-O-B-L-E-M, a clever and insightful way for writers to analyze and diagnose their story ideas.
