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  1. Hugo Riesenfeld (January 26, 1879 – September 10, 1939) was an Austrian-American composer. As a film director, he began to write his own orchestral compositions for silent films in 1917, and co-created modern production techniques where film scoring serves an integral part of the action.

  2. Hugo Riesenfeld. From 1917-1925 Hugo Riesenfeld was the manager of the Rivoli, Rialto and Criterion Theatres in New York City. A conductor and violinist, Riesenfeld was educated at the Conservatory of Music in Vienna and the University of Vienna.

    • Music Department, Composer, Producer
    • January 26, 1879
    • Hugo Riesenfeld
    • September 10, 1939
  3. Hugo Riesenfeld. Music Department: Make a Wish. From 1917-1925 Hugo Riesenfeld was the manager of the Rivoli, Rialto and Criterion Theatres in New York City. A conductor and violinist, Riesenfeld was educated at the Conservatory of Music in Vienna and the University of Vienna.

    • January 26, 1879
    • September 10, 1939
  4. Hugo Riesenfeld (January 26, 1879 – September 10, 1939) was an Austrian-American composer. As a film director, he began to write his own orchestral compositions for silent films in 1917, and co-created modern production techniques where film scoring serves an integral part of the action.

  5. Jan 26, 2021 · Composer Hugo Riesenfeld (1879-1939) was a character at once interesting and pivotal to show business history, foundational to the early movie industry. Born in Vienna, Riesenfeld graduated from the Society of the Friends of Music Conservatory at age 17, trained in violin, piano, and composition.

  6. Hugo Riesenfeld (January 26, 1879 – September 10, 1939) was an Austrian-American composer. As a film director, he began to write his own orchestral compositions for silent films in 1917, and co-created modern production techniques where film scoring serves an integral part of the action.

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  8. Here is a short interview with Hugo Riesenfeld from 1919. In this interview, Riesenfeld discusses the rise of orchestral accompaniment in the cinemas and the wider use of classical repertory.

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