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  1. Henri-Georges Clouzot

    Henri-Georges Clouzot

    French film director, screenwriter and producer

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  1. Henri-Georges Clouzot ( French: [ɑ̃ʁi ʒɔʁʒ kluzo]; 20 November 1907 – 12 January 1977) was a French film director, screenwriter and producer. He is best remembered for his work in the thriller film genre, having directed The Wages of Fear (1953) and Les Diaboliques (1955), which are critically recognized as among the greatest films of ...

  2. Henri-Georges Clouzot. Writer: The Wages of Fear. Beginning his film career as a screenwriter, Henri-Georges Clouzot switched over to directing and in 1943 had the distinction of having his film The Raven (1943) banned by both the German forces occupying France and the Free French forces fighting them, but for different reasons.

  3. Henri-Georges Clouzot est un scénariste, dialoguiste, réalisateur et producteur de cinéma français, né le 20 novembre 1907 à Niort (Deux-Sèvres) et mort le 12 janvier 1977 dans le 17 e arrondissement de Paris.

  4. Jan 25, 2024 · Henri-Georges Clouzot, active between the 1940s and '60s, was a director primarily of noir films and thrillers. His defining projects are Diabolique and The Wages of Fear, two of the...

  5. A pivotal and divisive figure of Forties and Fifties French cinema, Henri-Georges Clouzot (1907 - 1977) made his name as a daring iconoclast through a series of hugely influential, often controversial, films whose stylistic audacity, off-beat humor and ...

  6. Henri-Georges Clouzot. Writer: The Wages of Fear. Beginning his film career as a screenwriter, Henri-Georges Clouzot switched over to directing and in 1943 had the distinction of having his film The Raven (1943) banned by both the German forces occupying France and the Free French forces fighting them, but for different reasons.

  7. Oct 18, 2017 · Henri-Georges Clouzot’s movies provide some of the most thrilling yet paranoid portrayals of France in cinema. Filled with treachery, voyeurism and unease at the unknown, his cinematic world forces its characters to confront the darker reality behind closed doors – much as Alfred Hitchcock was doing in Hollywood during the same years.

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