The Wages of Fear
1955
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French film director, screenwriter and producerHenri-Georges Clouzot (French: [ɑ̃ʁi ʒɔʁʒ kluzo]; 20 November 1907 – 12 January 1977) was a French film director, screenwriter and producer. He is best remembered for his work in the thriller film genre, having directed The Wages of Fear (1953) and Les Diaboliques (1955), which are critically recognized as among the greatest films of ...
Henri-Georges Clouzot. Writer: The Wages of Fear. Beginning his film career as a screenwriter, Henri-Georges Clouzot switched over to directing and in 1943 had the distinction of having his film The Raven (1943) banned by both the German forces occupying France and the Free French forces fighting them, but for different reasons.
- January 1, 1
- Niort, Deux-Sèvres, France
- January 1, 1
- Paris, France
Henri-Georges Clouzot est un scénariste, dialoguiste, réalisateur et producteur de cinéma français, né le 20 novembre 1907 à Niort (Deux-Sèvres) et mort le 12 janvier 1977 dans le 17 e arrondissement de Paris.
A pivotal and divisive figure of Forties and Fifties French cinema, Henri-Georges Clouzot (1907 - 1977) made his name as a daring iconoclast through a series of hugely influential, often controversial, films whose stylistic audacity, off-beat humor and ...
Henri-Georges Clouzot. Writer: The Wages of Fear. Beginning his film career as a screenwriter, Henri-Georges Clouzot switched over to directing and in 1943 had the distinction of having his film The Raven (1943) banned by both the German forces occupying France and the Free French forces fighting them, but for different reasons.
- November 20, 1907
- January 12, 1977
Henri-Georges Clouzot (August 18, 1907 – January 12, 1977) was a French film director, screenwriter and producer. He is best remembered for his work in the thriller film genre, having directed The Wages of Fear and Les Diaboliques, which are critically recognized to be among the greatest films from the 1950s.
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Oct 18, 2017 · It follows an undercover inspector (Pierre Fresnay) attempting to uncover the identity of a murderer who could be any one of a number of occupants in a boarding house. Released in 1942, its subtle digs at the occupying Nazi forces were daring.
