Hannibal
2013
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Michael Rymer (born March 1963 in Melbourne) is an Australian television and film director, best known for his work on the re-imagined Battlestar Galactica TV series, for which he directed the pilot miniseries and several episodes of the series.
Michael Rymer was born in 1963 in Australia. He is a director and producer, known for Angel Baby (1995), Battlestar Galactica (2004) and Hannibal (2013).
Oct 26, 2021 · Aaliyah and director Michael Rymer on the set of Queen of the Damned. Photo: ©Warner Bros/Courtesy Everett Collection. Queen of the Damned is a movie about a vampire who awakens from a...
Michael Rymer Biography & Movies. Overview. Biography. Movies. Videos. MICHAEL RYMER Australian born and raised, Rymer crossed the ocean to attended the University of Southern California to...
Michael Rymer. Highest Rated: 92% Angel Baby (1995) Lowest Rated: 11% Perfume (2001) Birthday: Not Available. Birthplace: Melbourne, Victoria, Australia. Writer and director Michael Rymer is...
Michael Rymer was born in 1963 in Australia. He is a director and producer, known for Angel Baby (1995), Battlestar Galactica (2004) and Hannibal (2013).
Feb 7, 2011 · Written and Directed by. Blog Posts. Far Flungers. Santa Barbara 2: Of hippos and red carpets. Anath White | 2011-02-07. A foggy morning on the last day of the festival. One more week of movie-going, as Egypt totters and my native Midwest suffers another snowstorm, has caused both guilt and gratitude.
Michael Rymer. Director | Writer | Producer. Michael Rymer’s first film, Angel Baby, premiered in 1995 to much critical acclaim. It was invited to screen at International Festivals and won three AFI Awards (Best Feature, Best Director and Best Original Screenplay).
Michael Rymer. March 1963 • 61 y.o. Director. Writer. Author. Producer. Facts. Rymer's directorial debut, Angel Baby, won seven Australian Film Institute (AFI) Awards in 1995, including Best Director and Best Screenplay (Original) for Rymer himself.
Michael Rymer. Director; Screenwriter; Executive Producer “I think with such an intense dialogue piece you want to keep it moving. You want to keep the energy. In general everybody wants to go slower and darker. I said let’s keep the energy up, you don’t have to sell anything, let the story tell itself and trust that we’ll get your ...
