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Katja Hannchen Leni Riemann (German: [ˈkat.ja ˈʁiː.man] ⓘ, born 1 November 1963) is a German actress. The daughter of two teachers, Riemann grew up in Weyhe, near Bremen. After high school she went to Hamburg to study music and theater. She is the mother of actress Paula Riemann, whose father is Peter Sattmann.
Katja Hannchen Leni Riemann ist eine deutsche Schauspielerin, Sängerin und Autorin. Ihren Durchbruch hatte sie 1987 in dem sechsteiligen Fernsehspiel Sommer in Lesmona. Auch bekannt wurde sie 1990 mit der zehnteiligen Fernsehserie Regina auf den Stufen und 1997 als Emma Moor in dem Kinofilm Bandits.
Katja Riemann was born on 1 November 1963 in Kirchweyhe, Weyhe, Lower Saxony, Germany. She is an actress and director, known for Suck Me Shakespeer (2013), Rosenstrasse (2003) and Bandits (1997).
56K Followers, 883 Following, 969 Posts - Katja Riemann (@katjariemann) on Instagram: "Actress. Writer. Unicef Ambassador".
Birthday: Nov 1, 1963. Birthplace: Weyhe, Kirchweyhe, Germany. German actress Katja Riemann has enjoyed substantial critical and professional success in her native land for her film work, while...
Katja Riemann was born on November 1, 1963 in Kirchweyhe, Weyhe, Lower Saxony, Germany. She is an actress and director, known for Suck Me Shakespeer (2013), Rosenstrasse (2003) and Bandits (1997).
Biography. Katja Hannchen Leni Riemann (born 1 November 1963 in Weyhe-Kirchweyhe, Germany) is a German actress. Description above from the Wikipedia article Katja Riemann, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Der Überfall: With Katja Riemann, Lorna Ishema, Joel Basman, Sebastian Zimmler. A robbery attempt at a small corner store ends fatally. A seven-year-old boy disappears and an envelope with a lot of money changes hands.
Schauspielerin. Entdecke alle Serien und Filme von Katja Riemann. Von den Anfängen ihrer 36 Karriere-Jahre bis zu geplanten Projekten.
In her directorial debut ...AND HERE WE ARE! actress Katja Riemann accompanies young refugees who learn to tell their world in pictures in a film training programme. In this commentary, she tells us what is particularly close to her heart when it comes to flight, migration and the role of storytelling.
