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Keith Gordon (born February 3, 1961) is an American actor and film director . Early life. Gordon was born in New York City, the son of Mark, an actor and stage director, and Barbara Gordon. [ 1] . He grew up in an atheist Jewish family. [ 2] .
Keith Gordon was born on 3 February 1961 in New York City, New York, USA. He is a director and actor, known for A Midnight Clear (1992), Waking the Dead (2000) and Mother Night (1996). He has been married to Rachel Griffin since 1998.
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Keith Gordon is an American actor and film director. Gordon was born in New York City, the son of Mark, an actor and stage director, and Barbara Gordon. He grew up in an atheist Jewish family.
Oct 9, 2017 · He is best known to most as an actor in several memorable '80s films including Christine, The Legend of Billie Jean and Back to School. At the end of the decade he started to move to the other side of the camera and has since worked consistently as a director for both film and television.
Birthday: Feb 3, 1961. Birthplace: New York, New York, USA. This former juvenile lead has already garnered a reputation as a capable director of small, serious films with only four features to...
Keith Gordon is an American actor and film director. Gordon was born in New York City, the son of Mark, an actor and stage director, and Barbara Gordon. He grew up in an atheist Jewish...
Jan 25, 2018 · Keith Gordon is now deep into the third wave of his career: television directing. In 2017 alone, Gordon directed episodes of “Better Call Saul,” “Fargo,” “The Leftovers,” and “Homeland.”. His other credits include “Dexter,” “The Killing,” “Nurse Jackie,” “The Returned,” “Rubicon,” “Masters of Sex,” and ...
Mar 22, 2000 · These are some of the questions posed by filmmaker Keith Gordon in his latest film “Waking the Dead,” a movie filled with so much altruistic spirit and melancholic romanticism it seems from ...
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Oct 28, 2004 · In an age when many American independent films are marked by nihilistic attitudes, Gordon’s films are made by a man who cares intensely about the world; and when just as many are marked by careless, thoughtless moviemaking, Gordon’s display stylistic precision, coherence, and, above all, beauty.