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Cecilia Peck (born May 1, 1958) is an American film producer, director and actress. She is the younger of two children of actor Gregory Peck and his second wife Veronique Passani. [2] Career. As an actress, Peck was nominated for the Golden Globe Award for The Portrait, in which she played the daughter of her father's character. [3] .
Actress. Producer. Director. IMDbPro Starmeter See rank. Emmy nominated filmmaker Cecilia Peck has always been drawn to stories of individuals who stand up for their beliefs. She was Showrunner, Director, and Writer of the 2020 STARZ four episode documentary series Seduced: Inside the NXIVM Cult.
- January 1, 1
- 1.75 m
- Los Angeles, California, USA
- Actress, Producer, Director
Mini Bio. Emmy nominated filmmaker Cecilia Peck has always been drawn to stories of individuals who stand up for their beliefs. She was Showrunner, Director, and Writer of the 2020 STARZ four episode documentary series Seduced: Inside the NXIVM Cult. She directed and produced the Netflix Original "Brave Miss World," the story of Miss World ...
- May 1, 1958
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Nov 8, 2017 · Lessons about social justice learned at Princeton fuel an activist documentarian. Actor-turned-documentarian Cecilia Peck ’80 has lived a life following the moral example set by Atticus Finch of To Kill A Mockingbird, played in the film by her father, Gregory.
Feb 17, 2022 · Cecilia Peck, the actor’s daughter, signed for the Atticus Corporation, which was party to the agreement. The agreement also gives the producers rights to make a film adaptation of “Go Set a...
- Alexandra Alter
Cecilia Peck (born May 1, 1958) is an American film producer, director and actress. She is the only daughter of actor Gregory Peck and his second wife Veronique Passani. Known For. Wall Street. Killing Zoe. Havoc. My Best Friend Is a Vampire. A Conversation with Gregory Peck. Ambition. The Portrait. French Exit. Acting. Production. Directing.
Apr 6, 2016 · April 6, 2016. Cecilia Peck directed and produced, with Barbara Kopple, the documentary “Shut Up & Sing”, which chronicled the political backlash against and artistic triumph of the Dixie Chicks following their “comment” just prior to the invasion of Iraq.