Rope
1948
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Constance Collier (born Laura Constance Hardie; 22 January 1878 – 25 April 1955) was an English stage and film actress and acting coach. She wrote plays and films with Ivor Novello and she was the first person to be treated with insulin in Europe.
Constance Collier. Actress: Rope. In a career that covered six decades, Constance Collier evolved into one of Broadway and London's finest tragediennes during the first half of the 1900s.
- January 1, 1
- Windsor, Berkshire, England, UK
- January 1, 1
- New York City, New York, USA
Constance Collier (born Laura Constance Hardie; 22 January 1878 – 25 April 1955) was an English stage and film actress and acting coach. She made her stage debut at the age of three, when she played Fairy Peaseblossom in A Midsummer Night's Dream and later appeared in several Shakespearean stage plays.
An accomplished and popular stage actress in New York and London, Collier made her film debut in D.W. Griffith's "Intolerance" (1916). She went on to offer a numer of fine silent performances (e.g., Lady MacBeth in "MacBeth" 1916), and made the transition to sound, appearing infrequently...
Constance Collier was a respected stage and film actress whose career spanned four decades. She was born Laura Constance Hardie on January 22, 1878 in Windsor, England. Her parents were both actors and she made her stage debut at the age of three. When she was a teenager she joined the dance troupe The Gaeity Girls.
Collier, Constance (1878–1955) British actress. Born Laura Constance Hardie in Windsor, England, on January 22, 1878; died in Hollywood, California, on April 25, 1955; daughter of C.A. Hardie (an actor) and Lizzie (Collier) Hardie (an actor); granddaughter of Leopoldina Collier , who brought one of the first ballet companies to England ...
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An accomplished and popular stage actress in New York and London, Collier made her film debut in D.W. Griffith's "Intolerance" (1916). She went on to offer a numer of fine silent performances (e.g., Lady MacBeth in "MacBeth" 1916), and made the transition to sound, appearing infrequently throughout the 1930s and 40s.
