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Chow Yun-fat SBS (born 18 May 1955), previously known as Donald Chow, [1] is a Hong Kong actor. He was propelled to fame by TVB dramas such as The Good, The Bad And The Ugly (1979) and The Bund (1980).
Chow Yun Fat is a charismatic, athletically built and energetic Asian-born film star who first came to the attention of western audiences via his roles in the high-octane/blazing guns action films of maverick HK director John Woo.
This article contains the filmography of Hong Kong actor Chow Yun-fat. Chow Yun-fat in 2007
4 days ago · We’re ranking the films of Chow Yun-Fat! Let’s start with his Certified Fresh films, including Ang Lee’s Crouching Tiger, Hidden Dragon and John Woo’s The Killer. Those are followed up with more...
Aug 20, 2023 · The 10 Best Chow Yun-Fat Movies, Ranked. Chow Yun-Fat is a well-known and famous Hong Kong actor who has had a big impact on the movie business not only in his hometown but also in...
Chow Yun Fat is a charismatic, athletically built and energetic Asian-born film star who first came to the attention of western audiences via his roles in the high-octane/blazing guns action films of maverick HK director John Woo.
Apr 2, 2014 · Actor Chow Yun-Fat was born May 18, 1955, on Lamma Island, Hong Kong. He made over 70 films from 1976 to 1995, during the heyday of the Hong Kong film industry and was nominated for 12 Hong Kong...
Chow Yun-Fat (born May 18, 1955, Lamma Island, Hong Kong) is a Hong Kong-born Chinese actor who emerged in the 1980s as one of Asian cinema’s most popular leading men, especially known for his roles in action films, and who later forged a successful career in the United States.
Chow Yun-fat SBS (born 18 May 1955), previously known as Donald Chow, is a Hong Kong actor. He is perhaps best known for his collaborations with filmmaker John Woo in the five Hong Kong action heroic bloodshed films: A Better Tomorrow, A Better Tomorrow II, The Killer, Once a Thief and Hard Boiled, and in the West for his roles as Li Mu-bai in ...
Oct 5, 2023 · Chow Yun-fat, the Busan film festival's Asian Filmmaker of the Year, contrasted creative freedom in Korea with China's censorship regime.