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Everywhere at the End of Time. Everywhere at the End of Time [a] is the eleventh recording by the Caretaker, an alias of English electronic musician Leyland Kirby. Released between 2016 and 2019, its six studio albums use degrading loops of sampled ballroom music to portray the progression of Alzheimer's disease.
Sep 22, 2016 · A 50-track ambient album by The Caretaker, inspired by the stages of Alzheimer's disease and the loss of memories. The album explores the themes of nostalgia, confusion, despair and bliss through sampled music and sound effects.
EVERYWHERE AT THE END OF TIME - Stages 1-6 (COMPLETE)https://thecaretaker.bandcamp.com/album/everywhere-at-the-end-of-timeEverywhere at the end of time' was ...
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Everywhere at the end of time - Stage 6https://thecaretaker.bandcamp.com/album/everywhere-at-the-end-of-time'Stage 6' is available now on limited edition dou...
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- Album Information
- Creation
- Stage 1 (A+B)
- Stage 2 (C+D)
- Stage 3 (E+F)
- Stage 4 (G+H+I+J)
- Stage 5 (K+L+M+N)
- Stage 6 (O+P+Q+R)
(commonly abbreviated as EATEOT and stylized as Everywhere at the end of time) is a series of six albums by The Caretaker, beginning in September of 2016 and ending in March of 2019. Each album corresponds to a stage of dementia -- more specifically, Alzheimer's. The series was made as a conclusion to the Caretaker project, with Leyland Kirby "diagnosing" the Caretaker with dementia to kill it off. The series has 50 tracks overall, costing £5 GBP on Bandcamp.
While there are 7 officially recognized stages of dementia, only 6 stages have representative albums in Everywhere at the End of Time. This is because the first stage in clinical terminology has no symptoms expressed and thus would simply be the original works sampled in the album.
Following An Empty Bliss Beyond This World, Leyland Kirby looked to further explore the concepts of Alzheimer's and Dementia. Whereas An Empty Bliss represented a sort of "day in the life" of an Alzheimer's patient, the next release would have to expand upon the concept.
The concept of exploring the progression of dementia would become the main focus for the Everywhere at the End of Time project.
Stage 1 of the project was released on September 22nd of 2016. Around this time, Leyland announced that Everywhere at the End of Time would be the last series of releases under the the Caretaker moniker.
The album opens with the track It's just a burning memory, which is the first usage of Heartaches in the project. Each side of the first album contains six tracks, totaling 12 songs. The album concludes with My heart will stop in joy, a grandiose brass ballad with a triumphant melody and instrumentation.
Stage 2 was released in April of 2017. At large, samples more melancholic or "sadder" in tone are used rather than the brass ballads of Stage 1.
The album begins with the track A losing battle is raging, taking a poorly-preserved record and turning it into a long meandering memory hanging just above a thick brain fog. Surprisingly, tracks in Stage 2 are less altered than Stage 1 due to some tracks utilizing the full song rather than just a loop. However, the samples counteract the fewer effects, creating a more emotional experience than the previous stage. Much like Stage 1, tracks are still relatively calm and recognizable, with some exceptions (e.g. Glimpses of hope in trying times). There are 5 tracks on both the C-side and D-side of the album, coming to a total of 10 songs. The album concludes its runtime with The way ahead feels lonely, an orchestral piece that signifies that The Caretaker is aware of what is to come.
Stage 3 was released in September of 2017 and represents the fourth clinical stage of dementia.
The opening track, Back there Benjamin, is a highly distorted version of Goodnight, My Beautiful. Attentive listeners may notice that it shares the same motif as Libet's delay from An empty bliss beyond this World. Indeed, most of Stage 3 appears to be an attempt to recall An Empty Bliss, as all the track titles are mashed track titles from Stages 1 and 2, as well as An empty bliss beyond this World. (For example, To the minimal great hidden pulls its name from Pared back to the minimal, track 10 of An empty bliss, and The great hidden sea of the unconscious, track 03.)
Tracks in Stage 3 are dramatically more distorted and choppier than in the previous two tracks, with violent static and scrambled audio not heard at all in the previous two tracks. Despite all this increasing degradation, large portions of melodies are recognizable. There are 8 tracks on both the E-side and F-side of the album, coming to a total of 16 tracks - the most out of any Everywhere at the End of Time album.
The album - and the "lucidity stages" at large - conclude with Mournful cameraderie [sic], the last clear appearance of Heartaches, drowned by drones and mutilated to the edge of recognition.
Stage 4 was released in April of 2018 as the first of the Post-Awareness albums.
The album starts with Stage 4 Post Awareness Confusions, with song names being more clinical. The musical flow fades away into chopped up notes and ambient drones, signifying the Caretaker's decreasing ability to recognize and identify. Each side of the record only consists of one track with multiple sections. Side I of the record, Stage 4 Temporary Bliss State, is notable for having a somewhat recognizable melody (Bewildered in other eyes from Stage 3), albeit extremely distorted past any easy recognition. The album concludes with Layer 4 of Side J's Stage 4 Post Awareness Confusions, notable for being extremely calm compared to the last three tracks.
Stage 5 was released in September of 2018 as the second of the Post-Awareness albums. The album kicks off with the highly scrambled track Stage 5 Advanced plaque entanglements, a far more extreme and distorted experience than any Stage 4 track had to offer.
The tracks are marginally longer than in Stage 4, maintaining the same "one track per side" style and medical titles as Stage 4. The last two sides, Stage 5 Synapse retrogenesis (a reference to the retrogenesis theory of neurodegeneration) and Stage 5 Sudden time regression into isolation, take on a far less chaotic and more ambient tone, although static and violent distortions are still heavily prevalent in the two. The album ends with an isolated drone, which is quiet compared to the rest of the album, carrying on to a lonelier Stage 6.
Stage 6 was released in March of 2019. It is the third and final Post-Awareness album, the final album of Everywhere at the End of Time overall, and the last official Caretaker release (if both versions of Everywhere, an empty bliss are ignored).
Stage 6 follows the same side pattern as the last two albums; however, the titles have more poetic approach. The album opens with Stage 6 A confusion so thick you forget forgetting, containing long walls of drones and faint tunes. The music here has been reduced to nothing but ambient drones, with even the static eventually disappearing. Almost no melodies are clearly recognizable throughout most of the album, with many songs being very slowed down and faint. The final track, Stage 6 Place in the World fades away, transitions from an ambient drone to a segment made solely from a church organ that lasts approximately 9 minutes.
Oct 7, 2016 · Everywhere at the End of Time has been planned as a six-stage release. The first three will come out as downloads and LPs between now and next year, when they will also be compiled in a CD set ...
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Sep 22, 2016 · everywhere at the end of time (complete edition) When work began on this series it was difficult to predict how the music would unravel itself. Dementia is an emotive subject for many and always a subject I have treated with maximum respect.
