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Hugo Philipp Jacob Wolf (13 March 1860 – 22 February 1903) was an Austrian composer, particularly noted for his art songs, or Lieder. He brought to this form a concentrated expressive intensity which was unique in late Romantic music , somewhat related to that of the Second Viennese School in concision but diverging greatly in technique.
Apr 16, 2024 · Hugo Wolf was a composer who brought the 19th-century German lied, or art song, to its highest point of development. Wolf studied at the Vienna Conservatory (1875–77) but had a moody and irascible temperament and was expelled from the conservatory following his outspoken criticism of his masters.
- The Editors of Encyclopaedia Britannica
Hugo Wolf. 1860 - 1903. Hugo Filipp Jakob Wolf was born on 13 March 1860, the fourth of six surviving children, in Windischgraz, Styria, then part of the Austrian Empire. He was taught the piano and violin by his father at an early age and continued to study piano at the local primary school. His secondary education was unsuccessful, leaving ...
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Hugo Wolf was born on 13 March 1860 in Windischgrätz/Styria (today: Slovenj Gradec/Slovenia) into a middle-class and (initially) quite wealthy family. He was the second son of master leather worker Philipp Wolf (1828-1887) and his wife Katharina (1824-1903), who had a total of eight children: five girls, two of whom died in infancy, and three ...
Comparing his predicament to that of a seedling tree trying to grow in the shadow of a mighty oak, the young Wolf struggled to assimilate the music of Schumann and Schubert, Wagner and Liszt, in the formation of “Wölfer's own howl,” as he dubbed his unique compositional voice. The successful outcome of those struggles was a Lied aesthetic ...
- Susan Youens
- 2004
Jan 6, 2015 · Learn about the life and works of Hugo Wolf, a late Romantic composer who wrote intense and expressive art songs. Discover his relationship with Gustav Mahler, his mentor and fellow member of the Pernerstorfer Circle.
Biography. Hugo Wolf elevated the song to an artform of unprecedented psychological power and dramatic scope. His songbooks became narratives, complete with characters, plot, counterplots, gesture and colour. He struggled, and ultimately failed, to master the large-scale forms of symphony and opera. But the epic qualities he sought in those ...
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