The Curse of Frankenstein
1957
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film editor. Terence Fisher (23 February 1904 – 18 June 1980) was a British film director best known for his work for Hammer Films . He was the first to bring gothic horror alive in full colour, and the sexual overtones and explicit horror in his films, while mild by modern standards, were unprecedented in his day.
Terence Fisher was a British film director who made his mark with a series of horror films for Hammer Studios, featuring Frankenstein, Dracula, and other monsters. He was known for his realistic and complex characterization, his dynamic style, and his defiance of conventional horror conventions.
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- London, England, UK
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- Twickenham, London, England, UK
May 26, 2024 · Terence Fisher brought unprecedented gore, sensuality, and vibrant colors to classic monster movies, revitalizing the genre. The Curse of Frankenstein focuses on sinister ambition over the...
Terence Fisher was a prominent horror director who worked for Hammer Films and introduced gothic horror in full colour. He directed many adaptations of classic horror subjects, such as Dracula, Frankenstein, The Mummy and The Hound of the Baskervilles.
His most famous films are characterised by a blend of fairytale myth and the supernatural alongside themes of sexuality, morality, and "the charm of evil", often drawing heavily on a conservative Christian outlook. Terence Fisher was a British film director best known for his work for Hammer Films.
Learn about the life and career of Terence Fisher, the man who revolutionized British horror cinema with his adaptations of Frankenstein, Dracula, and other classics. Discover how he created the Hammer Style, influenced by James Whale and Jimmy Sangster, and faced challenges and controversies in his later years.
Full Text. PDF/EPUB. This is the authorised biography of Terence Fisher by his long-time friend Tony Dalton, who has also written biographies of Freddie Francis and Ray Harryhausen, as well as four further books on the latter. Extremely thoroughly researched, highly readable and copiously illustrated, it discusses all the films on which Fisher ...
