Merry Christmas, Mr. Lawrence
1983
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Nagisa Ōshima (大島 渚, Ōshima Nagisa, March 31, 1932 – January 15, 2013) was a Japanese film director and screenwriter. One of the foremost directors within the Japanese New Wave , his films include In the Realm of the Senses (1976), a sexually explicit film set in 1930s Japan, and Merry Christmas, Mr. Lawrence (1983), about World War ...
Nagisa Ôshima (1932-2013) was a Japanese director, writer and producer who pioneered the New Wave movement in Japanese cinema. He is known for his provocative and controversial films such as In the Realm of the Senses, Merry Christmas Mr. Lawrence and The Ceremony.
- January 1, 1
- Tamano, Japan
- January 1, 1
- Fujisawa, Japan
A retrospective of Oshima's feature films, showcasing his political and aesthetic innovation as a rebellious and influential director. Learn about his early works, his controversial crime dramas, his experiments with form and sensuality, and his critique of Japanese history and identity.
Jan 16, 2013 · Nagisa Oshima, the iconoclastic filmmaker who challenged and subverted the pieties of Japanese society and the conventions of Japanese cinema and who gained international notoriety in 1976 for...
Feb 5, 2024 · A personal and political essay by the Japanese film director Nagisa Oshima, who explains his decision to avoid the color green in his first color film, "Cruel Story of Youth". He associates green with conformity, complacency, and artificiality in Japanese society and culture.
Night and Fog in Japan (日本の夜と霧, Nihon no Yoru to Kiri) is a 1960 Japanese drama film directed by Nagisa Ōshima. It deals with the contemporary Zengakuren opposition but also evokes the 1950 protests against the Anpo treaty ; this political content is related to the particular approach of memory and interpersonal dynamics of social ...
Nagisa Ôshima. Director: Merry Christmas Mr. Lawrence. Nagisa Oshima's career extends from the initiation of the "Nuberu bagu" (New Wave) movement in Japanese cinema in the late 1950s and early 1960s, to the contemporary use of cinema and television to express paradoxes in modern society.
