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  1. Atom Egoyan
    Canadian filmmaker of Armenian descent

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  1. en.wikipedia.org › wiki › Atom_EgoyanAtom Egoyan - Wikipedia

    Atom Egoyan CC (/ ɛ ˈ ɡ ɔɪ ə n /; Armenian: Ատոմ Եղոյեան; born July 19, 1960) is a Canadian filmmaker. Emerging in the 1980s as part of the Toronto New Wave, he made his career breakthrough with Exotica (1994), a film set in a strip club.

  2. www.imdb.com › name › nm0000382Atom Egoyan - IMDb

    Atom Egoyan. Director: The Sweet Hereafter. Born in Egypt to Armenian parents, he was raised in Western Canada. Both his parents were painters, and he planned to be a playwright, but after making a short film, he became hooked on telling stories visually.

  3. Atom Egoyan. Director: The Sweet Hereafter. Born in Egypt to Armenian parents, he was raised in Western Canada. Both his parents were painters, and he planned to be a playwright, but after making a short film, he became hooked on telling stories visually.

  4. Apr 30, 2024 · Atom Egoyan, Egyptian-born Canadian writer and director who was known for his nuanced character studies of people in unconventional circumstances. His notable movies included Next of Kin, The Sweet Hereafter, and Felicia’s Last Journey. Learn more about Egoyan’s life and career.

  5. Jul 27, 2020 · Egoyan’s plotlines, with their shuffled timelines and accordingly unwieldy relationship to cause-and-effect dramaturgy, inspire curiosity—that most thrilling and weightless of moviegoing sensations—while also requiring completion in the viewer’s consciousness.

  6. Jan 28, 2015 · Quite simply one of the strongest and most impressive feature debuts in cinematic history. The end sequence, with its fused alchemy of opera, movement, and camera as Lou Castel writhes on the floor, is unforgettable. Canadian filmmaker Atom Egoyan has directed fourteen features.

  7. Jan 18, 2012 · Atom Egoyan (born Atom Yeghoyan), CC, FRCA, writer, director, producer, artist (born 19 July 1960 in Cairo, Egypt). Atom Egoyan is one of Canada’s most acclaimed and influential filmmakers. Cerebral and unconventional, his films are often told in a non-linear style.

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