Life of Oharu
1964
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Kenji Mizoguchi travelling through Europe, 1953. Kenji Mizoguchi (溝口 健二, Mizoguchi Kenji, 16 May 1898 – 24 August 1956) was a Japanese filmmaker who directed roughly one hundred films during his career between 1923 and 1956.
Kenji Mizoguchi (1898-1956) was a Japanese director, writer and actor who made over 100 films, mostly in the post-war period. He is known for his social and feminist themes, and his masterpieces such as Ugetsu, The Life of Oharu and Sansho the Bailiff.
- January 1, 1
- Tokyo, Japan
- January 1, 1
- Kyoto, Japan
- The Water Magician (1933) This haunting silent (one of his earliest extant works), based on a story by the Japanese gothic novelist Kyoka Izumi (1873-1939), was the second Mizoguchi shot for Irie Pro, the first independent production company in Japan established by an actress (his 1932 film for Irie Pro, Dawn of Manchuria and Mongolia, is now lost).
- Osaka Elegy (1936) The jaunty jazz soundtrack and accompanying opening shots of Osaka’s flashing neon hoardings and twinkling cityscapes set the scene for this extraordinarily modernist take on Mizoguchi’s characteristic theme of female self-sacrifice.
- Sisters of the Gion (1936) The behind-the-scenes dynamics of the geisha house and its less salubrious poor relation the bawdy house was a theme to which Mizoguchi would return throughout his career in films such as A Woman of Rumour (1954) and Street of Shame (1956).
- Women of the Night (1948) Mizoguchi was able to remain active as a filmmaker during the wartime years, although largely confined to the relatively safe domain of historical dramas, such as his patriotic two-part version of The Loyal 47 Ronin of the Genroku Era (1941-42) and an account of the life of the legendary Edo-period swordsman Musashi Miyamoto (1944), during a time when contemporary social criticism was understandably difficult to slip past state censors.
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Jun 23, 2014 · A comprehensive survey of the Japanese master's feature films, from his early experiments to his late classics. Explore Mizoguchi's themes, styles, influences and collaborations in this comprehensive retrospective.
Mar 27, 2024 · Mizoguchi Kenji (born May 16, 1898, Tokyo, Japan—died Aug. 24, 1956, Kyōto) was a Japanese motion-picture director whose pictorially beautiful films dealt with the nature of reality, the conflict between modern and traditional values, and the redeeming quality of a woman’s love.
- The Editors of Encyclopaedia Britannica
Nov 13, 2018 · A Story from Chikamatsu (1954) is a film adaptation of a Bunraku puppet play that depicts the tragic fate of a forbidden love in feudal Japan. The film is a masterpiece of Mizoguchi's mature style, using long takes, offscreen space, and theatrical traditions to create a critical and poetic vision of a corrupt society.
May 8, 2012 · Learn about the life and work of Kenji Mizoguchi, one of the greatest masters of mise-en-scène and a feminist filmmaker. Discover his style, themes, and legacy through his masterpiece The Life of Oharu, a tragic tale of a woman in feudal Japan.
