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Janusz Zygmunt Kamiński (Polish: [ˌjanuʂ kaˈmiɲskʲi]; born June 27, 1959) is a Polish cinematographer and director of film and television. He has established a partnership with Steven Spielberg, working as a cinematographer on his films since 1993.
Janusz Kaminski is a Polish cinematographer and film director. He has established a partnership with Steven Spielberg, working as a cinematographer on his movies since 1993. He won the Academy Award for Best Cinematography for his work on Schindler's List (1993) and Saving Private Ryan (1998).
Janusz Zygmunt Kamiński (ur. 27 czerwca 1959 w Ziębicach) – polski operator filmowy i reżyser, dwukrotny laureat Oscara – Nagrody Akademii Filmowej.
Janusz Kaminski is a Polish cinematographer and film director. He has established a partnership with Steven Spielberg, working as a cinematographer on his movies since 1993. He won the Academy Award for Best Cinematography for his work on Schindler's List (1993) and Saving Private Ryan (1998).
Mar 20, 2022 · With the help of gaffer Steve Ramsey and key grip Mitch Lillian, Janusz Kamiński was able to bathe these scenes in flattering, beautiful light. “[Lighting those scenes] is very difficult and I have no idea how I do it,” the cinematographer proclaimed.
Dec 22, 2021 · Cinematographer Janusz Kamiński reveals how he used flares and shadows to create drama in Steven Spielberg's 'West Side Story.'
Jan 17, 2023 · Cinematographer Janusz Kamiński darkened the tones for more serious scenes in “The Fabelmans,” starring Gabriel LaBelle.
Mar 4, 2022 · Janusz Kamiński, Oscar-nominated for everything from Schindler’s List to West Side Story, revisits his most iconic films—and the stories behind them.
Kamiński debuted as director in 2000, with The Lost Souls, a film that was influenced by the "road films" of the 1970s - Serpico, Easy Rider. He explains in an interview with Artur Kosiński for Cinema Polska (1/2000), "They were excellent films, leaving a number of things not quite explained.
Jan 12, 2018 · Cinematographer Janusz Kaminski goes deep on his approach to 'The Post', his working relationship with Steven Spielberg, 'Ready Player One', and more.
