The Great Gatsby
1974
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Jack Isaac Clayton (1 March 1921 – 26 February 1995) was a British film director and producer who specialised in bringing literary works to the screen.
Jack Clayton was born on 1 March 1921 in Brighton, East Sussex, England, UK. He was a producer and director, known for The Innocents (1961), Our Mother's House (1967) and The Great Gatsby (1974).
Jack Clayton was born on March 1, 1921 in Brighton, East Sussex, England, UK. He was a producer and director, known for The Innocents (1961), Our Mother's House (1967) and Screen Two (1985). He was married to Haya Harareet, Katherine Kath and Christine Norden.
Oct 31, 2014 · Earlier this month, Criterion released a gorgeous new edition of Jack Clayton’s The Innocents, a 1961 adaptation of Henry James’s The Turn of the Screw that to this day still ranks among...
Mar 1, 1995 · Jack Clayton, a director who began an era of social realism in British film with the 1958 movie "Room at the Top," died on Saturday at a hospital in Slough, 15 miles west of...
Nov 22, 2021 · Where to begin with Jack Clayton. Ahead of a season celebrating Jack Clayton’s centenary at BFI Southbank, we pick a path through the small but perfectly formed career of a British master filmmaker.
Jack Clayton, Between Innocence and Experience. In a career spanning most of the 20th century, Jack Clayton (1921-1995) straddled classical filmmaking, the British New Wave and the final overripe years of the Hollywood studio system, finding success in each of these worlds but never a true home.
Mar 29, 2024 · Earlier this month, Criterion released a gorgeous new edition of Jack Clayton’s The Innocents, a 1961 adaptation of Henry James’s The Turn of the Screw that to this day still ranks among the greatest of horror films.
Mar 6, 1995 · Jack Clayton, director of such classic ’60s British dramas as “Room at the Top” and “The Pumpkin Eater,” died Feb 25 at a hospital in Slough, Berkshire, England, following a short illness. He was...
A director of remarkable talent, Clayton 's uncompromising independence led not just to a relatively small output - with only eight feature films completed in his entire career - but also to his often being out of step with what the market, and sometimes also the critics, wanted.
