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Nov 27, 2013 · The Early Days of Boston/Cambridge Cinema: An Interview with Director Jan Egleson. I have spent a great deal of time on this blog bringing forgotten or undiscovered trash classics to people’s attention, but the first legitimately great film I watched, where I felt a real sense of loss from its obscurity, was Jan Egleson’s 1979 drama ...
Billy in the Lowlands, The Dark End of the Street and The Tender Age are portraits that capture the issues of the time but remain pressingly current. Jan Egleson began writing and directing in 1980, and was at the forefront of the development of the independent film movement.
In this riveting story of self-discovery and emotional transformation, author Jan Egleson and illustrator Kseniya Galper have combined text and image to create an innovative art form that ushers in a new era in publishing for serious literature.
February 8–9, 2001. The Boston Trilogy of Jan Egleson. Share. The Harvard Film Archive is pleased to present this tribute to local filmmaker Jan Egleson, recipient of this year’s Vision Award for Distinguished Filmmaking from the Boston Film/Video Foundation.
Feb 15, 2017 · Jan Egleson, a COM professor of film and television (left), and Brian Johnson (COM’05) have written a graphic novel about a returning Iraq War vet suffering from PTSD. Photo by Cydney Scott. As far back as Jan Egleson can remember, an unseen barrier walled off his father from the world.
THE BLUE DINER is a film about food, memory, language and caskets. It is the story of a Puerto Rican mother and daughter living together in Boston and the difficulties they encounter when the daughter, Elena, mysteriously loses her ability to speak Spanish, her first language. Everyone has a theory about the origin of Elena’s misfortune, but ...
