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  1. Ernst Lubitsch

    Ernst Lubitsch

    German-American actor and film director

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  1. Awards and Nominations

      • He was nominated for the Academy Award for Best Director three times for The Patriot (1928), The Love Parade (1929), and Heaven Can Wait (1943). In 1946, he received an Honorary Academy Award for his distinguished contributions to the art of the motion picture.
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  1. Ernst Lubitsch. Jump to Academy Awards, USA (4) Hugo Awards (1) New York Film Critics Circle Awards (1) Venice Film Festival (1) Walk of Fame (1) Sant Jordi Awards (1) Online Film & Television Association (1) 5 wins & 5 nominations.

    • January 29, 1892
    • November 30, 1947
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  3. He was nominated for the Academy Award for Best Director three times for The Patriot (1928), The Love Parade (1929), and Heaven Can Wait (1943). In 1946, he received an Honorary Academy Award for his distinguished contributions to the art of the motion picture. Early life.

  4. March of 1947, the year of his passing, brought a special Academy Award (he was nominated three times) to the fading producer/director for his "25-year contribution to motion pictures." At his funeral, two of his fellow directorial émigrés from Germany put his epitaph succinctly as they left.

    • January 1, 1
    • Berlin, Germany
    • January 1, 1
    • Hollywood, Los Angeles, California, USA
  5. Award-winners and contenders from Ernst Lubitsch Award (2021)

  6. Heaven Can Wait is a 1943 Technicolor American supernatural comedy film produced and directed by Ernst Lubitsch. The screenplay was by Samson Raphaelson based on the play Birthday by Ladislaus Bus-Fekete. The music score was by Alfred Newman and the cinematography by Edward Cronjager.

  7. Aug 8, 2022 · In the summer of 1943, the playwright and screenwriter Samson Raphaelson received word that Ernst Lubitsch, the Berlin-born director of such incandescent Hollywood comedies as “Trouble in...

  8. With songs composed by Victor Schertzinger, this pleasant operetta was nominated for an Academy Award as best picture, and Lubitsch was nominated for best director. In that film and Monte Carlo (1930), Lubitsch freed the camera from the soundproof box and static position used by most directors at the beginning of the sound era.

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