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  1. Emilio "El Indio" Fernández Romo (Spanish: [eˈmiljo feɾˈnandes ˈromo]; 26 March 1904 – 6 August 1986) was a Mexican film director, actor and screenwriter. He was one of the most prolific film directors of the Golden Age of Mexican cinema in the 1940s and 1950s.

  2. Learn about the life and career of Emilio Fernández, the most famous person in the history of Mexican movies. He was a rebel, a nationalist, a mestizo and a filmmaker who glorified the Mexican Revolution and its heroes.

    • January 1, 1
    • Hondo, Coahuila, Mexico
    • January 1, 1
    • Mexico City, Distrito Federal, Mexico
  3. Mar 1, 2018 · A film series celebrating the most celebrated filmmaker of the Golden Age of Mexican cinema, Emilio Fernández, also known as \"El Indio\". See his award-winning works, such as María Candelaria, La perla, and Río Escondido, in new restorations.

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  5. Emilio "El Indio" Fernández Romo was a Mexican film director, actor and screenwriter. He was one of the most prolific film directors of the Golden Age of Mexican cinema in the 1940s and 1950s. He is best known for his work as director of the film María Candelaria (1944), which won the Palme d'Or award at the 1946 Cannes Film Festival.

  6. Aug 9, 1986 · Aug. 9, 1986 12 AM PT. Times Staff Writer. Emilio Fernandez, who created a legacy of socially conscious Mexican cinema through 42 thematically juxtaposed motion pictures, has died. “El Indio ...

  7. Learn about the life and work of Emilio Fernández, the father of Mexican Cinema and a national symbol of Indian identity. Discover how he created a Mexican school of film, influenced by Eisenstein and Zinneman, and won international acclaim with María Candelaria.

  8. Biography. Emilio "El Indio" Fernández (born Emilio Fernández Romo, March 26, 1904 – August 6, 1986) was a Mexican film director, actor and screenwriter. He was one of the most prolific film directors of the Golden Age of Mexican cinema in the 1940s and 1950s. He is best known for his work as director of the film Maria Candelaria, which won ...

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