Suicide Room
2011
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Jan Tadeusz Komasa (born October 28, 1981) is a Polish film director, screenwriter, and producer best known for directing Suicide Room (2011), Warsaw 44 (2014), and Corpus Christi (2019), which was nominated for the Best International Feature Film at the 92nd Academy Awards.
Jan Komasa. Director: Suicide Room. Jan Komasa was born on 28 October 1981 in Poznan, Wielkopolskie, Poland. He is a director and writer, known for Suicide Room (2011), The Hater (2020) and Warsaw 44 (2014).
Jan Tadeusz Komasa (ur. 28 października 1981 w Poznaniu [1]) – polski reżyser i scenarzysta filmowy. Wczesne lata i edukacja. Pochodzi z rodziny o tradycjach artystycznych. Jest synem aktora Wiesława Komasy i wokalistki Giny Komasy.
Jan Komasa is a film director and screenwriter, born into an artistic family in Poznań in 1981. His 2019 film ’Corpus Christi’ is currently nominated for an Oscar in the Best Foreign Film category.
Jan Komasa was born on 28 October 1981 in Poznan, Wielkopolskie, Poland. He is a director and writer, known for Suicide Room (2011), The Hater (2020) and Warsaw '44 (2014).
Jun 23, 2020 · Polish filmmaker Jan Komasa, who scored a best international Oscar nomination earlier this year for “Corpus Christi,” will direct “Anniversary,” a drama of social apocalypse.
Jan Tadeusz Komasa (born October 28, 1981) is a Polish film director, screenwriter, and producer best known for directing Suicide Room (2011), Warsaw 44 (2014), and Corpus Christi (2019), which was nominated for Best International Feature Film at the 92nd Academy Awards.
Feb 27, 2020 · Directed by Jan Komasa in only his third feature and starring a complexly compelling Bartosz Bielenia, this is a blistering drama, intense, disturbing and inescapably thought-provoking, a film...
CORPUS CHRISTI. Director. Oscar nominated 2020 (Best International Film) "Komasa’s rigorous direction keeps the pressure on and the focus tight, pulling every ounce of tension from Pacewicz’s taut script" - Norm Wilner, Now Magazine (Toronto)
Dec 3, 2019 · Director Jan Komasa discusses the bizarre true story that inspired Corpus Christi, how a bad audition gave him an epiphany about the film’s main character, and his aesthetic choices.
