Hannah Arendt
2013
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Margarethe von Trotta (German: [maʁɡaˈʁeːtə fɔn ˈtʁɔta] ⓘ) (born 21 February 1942, Berlin, Germany) is a German film director, screenwriter, and actress. She has been referred to as a "leading force" of the New German Cinema movement.
In 1977, von Trotta directed her first solo feature The Second Awakening of Christa Klages (1978). With her third film, Marianne & Juliane (1981), von Trotta's position as New German Cinema's most prominent and successful female filmmaker was fully secured.
Margarethe von Trotta ist eine deutsche Schauspielerin, Regisseurin und Drehbuchautorin.
Feb 17, 2023 · With her representations of women of the past – feminists and philosophers, visionaries and revolutionaries, homegrown terrorists and everyday heroines – the veteran German filmmaker has ...
Margarethe von Trotta. Director: Hannah Arendt. Margarethe von Trotta was born in Berlin in 1942. In the 1960s she moved to Paris where she worked for film collectives, collaborating on scripts and co-directing short films.
Feb 21, 2017 · The first female filmmaker to achieve international acclaim, Margarethe von Trotta is referred to as a "leading force" of the New German Cinema movement. As she turns 75, here are the highlights...
Margarethe von Trotta (German: [maʁɡaˈʁeːtə fɔn ˈtʁɔta]; born 21 February 1942; Berlin) is a German film director, screenwriter, and actress. She has been referred to as a "leading force" of the New German Cinema movement. Von Trotta's extensive body of work has won awards internationally.
Margarethe von Trotta: “Becoming a director was always the real goal” With her new Ingmar Bergman documentary on the festival circuit and a touring retrospective in the UK, the renowned German filmmaker sat down with us to discuss four key films from her career.
Feb 21, 2017 · The award-winning filmmaker Margarethe von Trotta has been referred to as a "leading force" of the New German Cinema movement. As she turns 75, here are the main stations of her...
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Dec 12, 2002 · Born in Berlin in 1942, Margarethe von Trotta is two things: the most important woman director to emerge from the New German Cinema, and narrative cinema’s foremost feminist filmmaker.
