_(cropped).jpg "Marielle Heller"){kind=small}
The Queen's Gambit
2020
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Marielle Stiles Heller / ˈ m ɑːr i ɛ l / (born October 1, 1979) is an American director, screenwriter and actress. She is best known for directing the films The Diary of a Teenage Girl (2015), Can You Ever Forgive Me?
Marielle Heller is a writer, director and actor. She was selected as a 2012 Sundance Screenwriting Fellow and 2012 Sundance Directing Fellow, and was honored with the Lynn Auerbach Screenwriting Fellowship, and The Maryland Film Festival Fellowship.
Oct 31, 2020 · On the Netflix series, Heller plays Alma Wheatley, the adoptive mother of Anya Taylor-Joy’s Beth Harmon, a troubled chess prodigy—she's fictional, but with influence from...
Marielle Stiles Heller (born October 1, 1979) is an American writer, director, and actor. She is the writer and director of the feature film The Diary of a Teenage Girl and the director of Can You Ever Forgive Me?.
Feb 22, 2021 · The writer-director Marielle Heller talks A Beautiful Day in the Neighborhood and Can You Ever Forgive Me?, acting in The Queen's Gambit
Jan 7, 2021 · 'The Queen’s Gambit' features a breakout performance from Marielle Heller — a career pivot for the director, who already has three critically acclaimed films under her belt.
Jun 22, 2021 · Marielle Heller is a wonder as Alma, giving her a dimmed radiance born of sorrow and bathed in alcohol. Heller, an acclaimed director, took a circuitous route to acting. She gave up on it for 10...
Oct 2, 2018 · Heller, a 38-year-old New York-based actor and director, first made a name for herself with 2015’s “The Diary of a Teenage Girl,” a coming-of-age film that dealt with adolescent...
Nov 20, 2019 · Heller talks about casting Tom Hanks as Rogers, capturing his slow style of speaking, and a profound experience she had with her young son because of the show.
Dec 16, 2019 · Marielle Heller’s Land of Make-Believe The director, who, like her friend Greta Gerwig, was shut out of the all-male Golden Globe directing nominations, reflects on the unusual masculinity of...
