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Alessandro Blasetti (3 July 1900 – 1 February 1987) was an Italian film director and screenwriter who influenced Italian neorealism with the film Quattro passi fra le nuvole. Blasetti was one of the leading figures in Italian cinema during the Fascist era.
Alessandro Blasetti è stato un regista, sceneggiatore, montatore e critico cinematografico italiano, fra i più celebri e significativi del suo tempo, tanto da poter essere definito «padre fondatore del moderno cinema italiano». Viene considerato, insieme a Mario Camerini, il massimo regista italiano del cinema di propaganda fascista, del ...
Nov 2, 2010 · Alessandro Blasetti (1900–1987), a law school graduate and failed movie extra, started out as a film critic and participant in what might be viewed as a forerunner of the French Nouvelle Vague (New Wave) of the 1950s and 1960s: the Augustus cooperative.
Alessandro Blasetti was born on 3 July 1900 in Rome, Lazio, Italy. He was a director and writer, known for First Communion (1950), La corona di ferro (1941) and Me, Me, Me... and the Others (1966). He was married to Maria Laura Quagliotti. He died on 1 February 1987 in Rome, Lazio, Italy.
Blasetti’s pioneering film has been credited with introducing a number of cinematic techniques which would become calling cards of Italy’s Neo-Realist directors, such as De Sica, Visconti and Rossellini, during the 1940’s and 1950’s.
Considered today the most significant Italian filmmaker to emerge during the 1930s, Alessandro Blasetti is best known for this great masterpiece. 1860 is the story of Garibaldi's invasion of Sicily told from the viewpoint of a newly married shepherd ...
Fabiola: Directed by Alessandro Blasetti. With Michèle Morgan, Henri Vidal, Michel Simon, Louis Salou. In ancient Rome a love story blossoms between Fabiola, daughter of a senator, and Rhual, a Gallic gladiator.
Apr 9, 2018 · A number of early 1930s films directed by Alessandro Blasetti, a prominent fascist cineaste, reinforced the traditional gender roles. However, this campaign—both in Blasetti’s later cinema and in general fascist policy—was far from straightforward.
Alessandro Blasetti, the film director sometimes referred to as ‘the father of Italian cinema’ for the part he played in reviving the film industry in Italy in the late 1920s and 30s, was born on this day in 1900 in Rome.
This article explores the role of Alessandro Blasetti in arguing for, and promoting, the development of the Italian film industry before and after the Second World War.
