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  1. I Believe in You

    I Believe in You

    1952 · Drama · 1h 35m

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  1. I Believe in You is a 1952 British drama film directed by Michael Relph and Basil Dearden, starring Celia Johnson and Cecil Parker [2] and is based on the book Court Circular by Sewell Stokes. Inspired by the recently successful The Blue Lamp (1950), Relph and Dearden used a semi-documentary approach in telling the story of the lives of ...

  2. I Believe in You: Directed by Basil Dearden, Michael Relph. With Cecil Parker, Celia Johnson, Harry Fowler, Joan Collins. When a retired colonial serviceman takes a job as a probation officer he finds it a challenge.

    • (293)
    • Drama
    • Basil Dearden, Michael Relph
    • 1952-07-24
  3. Costume and Wardrobe Department. Ernie Farrer. ... wardrobe master (uncredited) Ben Foster. ... wardrobe assistant (uncredited) Lily Payne.

  4. With a cast headed by Celia Johnson, Joan Collins, Laurence Harvey, Harry Fowler, Sidney James and George Relph, I Believe in You boasts a formidable array of talented actors. This 1952 British drama, directed by Michael Relph and Basil Dearden, follows the lives of probation officers and their charges.

    • Basil Dearden, Michael Relph
    • Ealing Studios
  5. An illustration of two cells of a film strip. Video. An illustration of an audio speaker. Audio. An illustration of a 3.5" floppy disk. ... i-believe-in-you-1952 ...

    • 95 min
  6. I Believe in You is a 1952 British drama film directed by Michael Relph and Basil Dearden, starring Celia Johnson and Cecil Parker and is based on the book Court Circular by Sewell Stokes. Inspired by the recently successful The Blue Lamp (1950), Relph and Dearden used a semi-documentary approach in telling the story of the lives of probation officers and their charges.

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  8. The film settles upon Cecil Parker, a compassionate official who takes special interest in the parolees. Parker tries simultaneously to reform a hardened criminal, and to dissuade a budding juvenile delinquent from a life of perdition. The semi-documentary approach established early in I Believe in You gives way to sentiment as the film winds down.

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