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  1. The Stranger is a 1946 American thriller film noir directed and co-written by Orson Welles, starring Edward G. Robinson, Loretta Young and Orson Welles. Welles's third completed feature film as director and his first film noir, [4] it centers on a war crimes investigator tracking a high-ranking Nazi fugitive to a Connecticut town.

  2. The Stranger: Directed by Orson Welles. With Edward G. Robinson, Loretta Young, Orson Welles, Philip Merivale. An investigator from the War Crimes Commission travels to Connecticut to find an infamous Nazi.

    • (29K)
    • Crime, Drama, Film-Noir
    • Orson Welles
    • 1946-08
  3. The Stranger (1946) The Stranger (1946) View more photos Movie Info. Synopsis Immediately following World War II, ex-Nazi Franz Kindler (Orson Welles) is living under a false identity as a teacher ...

    • (32)
    • Edward G. Robinson
    • Orson Welles
    • Mystery & Thriller
    • The Stranger (1946 film)1
    • The Stranger (1946 film)2
    • The Stranger (1946 film)3
    • The Stranger (1946 film)4
  4. Charles Rankin is a professor in a respectable Connecticut town about to marry the daughter of a U.S. Supreme Court justice. But his name is fake and his past is filthy. An earnest convert to Christianity, who once ran a Nazi concentration camp, is capable of exposing him. So "Rankin" kills this little old man and buries his body in the forest.

  5. Stranger, The (1946) -- (Movie Clip) Marx Was A Jew Under-cover Nazi hunter Wilson (Edward G. Robinson), dining with Mary (Loretta Young) and her brothers (Philip Merivale, Richard Long), is just about convinced that her professor husband (writer-director Orson Welles) is no war criminal, in The Stranger, 1946.

    • Orson Welles, Gladys Hill, Jack Voglin
    • Edward G. Robinson
  6. Jul 2, 2022 · On July 2, 1946, director-star Orson Welles unveiled noir film The Stranger in Los Angeles. The film went on to earn a nomination in the writing category at the 19th Academy Awards.

  7. The Stranger (1946) Depending on your point of view, Orson Welles is either peripheral to, or central to film noir; peripheral in that he didn’t make many films that are considered to be noir; central because of the influence of Citizen Kane, made when he was only 25 years old. While not a film noir, the chiaroscuro lighting of Citizen Kane ...

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