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  1. Although his signature themes (isolated gay experience, opposition from outsiders, gratuitous nudity as a means of rebellion) ultimately yield lesser results than his later work, Sebastiane ...

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      Top Critics. All Audience. Verified Audience. Tim Brayton...

  2. Jul 30, 2012 · Scored by one Brian Eno, this film is easily one of the most singular and important debuts of the late-1970s. Shot entirely in vulgar Latin, Jarman is far and away the film’s biggest star. Turning his camera erotically upon the male body, the film is absolutely breathtaking.

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  4. Top Critics. All Audience. Verified Audience. Tim Brayton Alternate Ending. Feels like an actual expression of transporting ecstasy, appreciating nudity and the fleshiness of bodies so much that it...

  5. The film explores the myth behind St. Sebastian whose paintings and imagery have always been linked to queerness as he was one of the only male figures to be sexualized, a rare occurrence, with his naked arrowed chest. Sebastiane, a Christian, is exiled to a remote sort of military camp.

  6. en.wikipedia.org › wiki › SebastianeSebastiane - Wikipedia

    Sebastiane is a 1976 Latin-language British historical film directed by Derek Jarman and Paul Humfress and written by Jarman, Humfress and James Whaley. It portrays the events of the life of Saint Sebastian, including his iconic martyrdom by arrows. The film, which was aimed at a gay audience, was controversial for the homoeroticism portrayed ...

    • Howard Malin, James Whaley
    • Brian Eno, Andrew Thomas Wilson
  7. Apr 22, 2013 · To my surprise Dad replied, “I was out in the Middle East before the war and it’s really quite accurate.” After its opening at the Gate, where it played for four months before moving into the West End, Sebastiane opened all over the world to wildly different reviews.

  8. Jan 7, 2015 · Writer/director Jarman sees Sebastian as a common Roman soldier, exiled to the back of beyond with a small platoon of bored colleagues, who gets selfishly absorbed in his own mysticism and then ...

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