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  1. Every Night at Eight is a 1935 American comedy musical film starring George Raft and Alice Faye and made by Walter Wanger Productions Inc. and Paramount Pictures. It was directed by Raoul Walsh and produced by Walter Wanger from a screenplay by C. Graham Baker, Bert Hanlon and Gene Towne based on the story Three On a Mike by Stanley Garvey.

  2. Every Night at Eight: Directed by Raoul Walsh. With George Raft, Alice Faye, Frances Langford, Patsy Kelly. After being fired from their jobs, three friends decide to enter an amateur contest at a radio station.

    • (180)
    • Comedy, Musical, Romance
    • Raoul Walsh
    • 1935-08-02
  3. Three young girls working in an agency have build a singing trio. They want to 'lease' the dictaphone of their boss to make a record of their singin, but they are caught and fired. When they are not able to pay their rent any longer, they decide to try it on an amateur contest at a radio...

    • Raoul Walsh, Eric Stacey
    • George Raft
  4. Jan 19, 2021 · Every Night at Eight (1935) -- The showstopper "I'm in the Mood for Love." Comic Spirit. 1.25K subscribers. Subscribed. 21. 1K views 3 years ago. Frances Langford, George Raft, Alice Faye...

    • Jan 19, 2021
    • 991
    • Comic Spirit
  5. 14 Reviews. Hide Spoilers. Sort by: Filter by Rating: 7/10. Sweethearts of the Air. lugonian 26 October 2000. EVERY NIGHT AT EIGHT (Paramount, 1935), directed by Raoul Walsh, stars George Raft as a brash young band-leader named "Tops" Cardona in one of many musicals of the 1930s set in a radio station.

  6. 1935. 1h 20m. Approved. Comedy/Musical/Romance. Cast. George Raft ('Tops' Cardona) Alice Faye (Dixie Foley) Frances Langford (Susan Moore) Patsy Kelly (Daphne O'Connor) Henry Taylor (Radio Rogue)...

  7. Every Night at Eight (1935) directed by Raoul Walsh • Reviews, film + cast • Letterboxd. 1935 Directed by Raoul Walsh. It’s the Busiest…Snappiest Musical Picture of the Year…Packed with Songs…Tears and Laughter! Three young girls working in an agency have build a singing trio.

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