Mark Stevens
Officer Rocky Barnes
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Between Midnight and Dawn: Directed by Gordon Douglas. With Mark Stevens, Edmond O'Brien, Gale Storm, Donald Buka. Prowl car cops on night duty romance a reluctant young woman who works for the department while in danger from a vengeful racketeer.
- (1.3K)
- Crime, Drama, Film-Noir
- Gordon Douglas
- 1950-10
Between Midnight and Dawn is a 1950 American film noir crime film directed by Gordon Douglas and starring Mark Stevens, Edmond O'Brien and Gale Storm. It is notable as one of the earliest Hollywood policiers to focus on beat cops rather than detectives and other high-ranking officers.
Apr 4, 2014 · Between Midnight And Dawn (1950) -- (Movie Clip) Bourbon And Water For Dad Off-duty patrol car partners and WWII vets Rocky (Mark Stevens) and Dan (Edmond O'Brien) bring their new friend, police radio dispatcher Katherine (Gale Storm) to an LA night club, aiming to dig up dirt on the boss, in Between Midnight And Dawn, 1950.
- Gordon Douglas, James Nicholson
- Mark Stevens
Between Midnight and Dawn. Two patrolmen (Mark Stevens, Edmond O'Brien) shoot it out with a gangster, ending their rivalry for a woman (Gale Storm).
- (163)
- Gordon Douglas
- Crime, Drama
- Mark Stevens
Between Midnight and Dawn. Introduction. Between Midnight and Dawn features one of the most vicious criminals in film noir, Ritchie Garris. Although he is a second tier character, he has outstanding significance, not because of what he does, but what he is to the film. Garris is the MacGuffin.
Between Midnight and Dawn. Summaries. Prowl car cops on night duty romance a reluctant young woman who works for the department while in danger from a vengeful racketeer. Rocky and Dan, war buddies, are prowl car cops on night duty. Dan is a cynic who views all lawbreakers as scum; Rocky feels more lenient.
Between Midnight and Dawn (1950) is a police procedural and revenge urban prowl car noir mob boss murder trial and violence against women film noir, starring Edmond O'Brien, Mark Stevens and Gale Storm. The violence against women aspect of Between Midnight and Dawn (1950) is worth mentioning in this instance as it is called out and questioned.
