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  1. Pierrot le Fou (pronounced [pjɛʁo lə fu], French for "Pierrot the Fool") is a 1965 French New Wave romantic crime drama road film written and directed by Jean-Luc Godard, starring Jean-Paul Belmondo and Anna Karina. The film is based on the 1962 novel Obsession by Lionel White.

  2. Pierrot the Fool: Directed by Jean-Luc Godard. With Jean-Paul Belmondo, Anna Karina, Graziella Galvani, Aicha Abadir. Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria.

    • (37K)
    • Crime, Drama, Romance
    • Jean-Luc Godard
    • 1969-01-08
  3. But "Pierrot le Fou" is more relaxed, more fun, less bitter than "Weekend." And it contains Godard's most virtuoso display of his mastery of Hollywood genres. It seems to be a gangster picture: Jean-Paul Belmondo leaves his wife and goes to live with his former girlfriend, Anna Karina .

  4. Pierrot le fou. Dissatisfied in marriage and life, Ferdinand (Jean-Paul Belmondo) takes to the road with the babysitter, his ex-lover Marianne Renoir (Anna Karina), and leaves the bourgeois world behind.

    • Ferdinand Griffon
  5. Pierrot le Fou. Rent Pierrot le Fou on Fandango at Home. Colorful, subversive, and overall beguiling, Pierrot le Fou is arguably Jean-Luc Godard's quintessential work. Uninterested...

    • (50)
    • Jean-Paul Belmondo
    • Jean-Luc Godard
    • Drama, Comedy, Mystery & Thriller, Musical, Romance
  6. Pierrot le fou (1965) presents the adventures of countercultural heroes Ferdinand Griffon (Jean-Paul Belmondo) and Marianne Renoir (Anna Karina). Jean-Luc Godard’s film possesses many characteristics common to pop art, especially the work of three of its greatest North American practitioners: Andy Warhol, Roy Lichtenstein, and Claes Oldenburg.

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  8. Sep 22, 2009 · The two fictions by Balzac that Godard’s memory had run together unite in Pierrot le fou, a self-portrait of the artist on the verge of pushing a philosophical inquiry into form, or rather formlessness, to an extreme that destroyed not only himself but also his wife.

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