Colin Farrell
Stu Shepard
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Phone Booth. (film) Phone Booth is a 2002 American psychological thriller film directed by Joel Schumacher, produced by David Zucker and Gil Netter, written by Larry Cohen and starring Colin Farrell, Forest Whitaker, Katie Holmes, Radha Mitchell, and Kiefer Sutherland. In the film, a malevolent hidden sniper calls a phone booth, and when a ...
Apr 4, 2003 · Phone Booth: Directed by Joel Schumacher. With Colin Farrell, Kiefer Sutherland, Forest Whitaker, Radha Mitchell. Publicist Stuart Shepard finds himself trapped in a phone booth, pinned down by an extortionist's sniper rifle.
- (286K)
- Crime, Thriller
- Joel Schumacher
- 2003-04-04
Apr 4, 2003 · A phone call can change your life, but for one man it can also end it. Set entirely within and around the confines of a New York City phone booth. "Phone Booth" follows a slick media consultant ...
- (188)
- Joel Schumacher
- R
- Colin Farrell
Apr 4, 2003 · The phone in the booth rings and Stu follows the universal human practice of answering it. The voice is harsh, sardonic, sounds like it belongs to a man intelligent and twisted, and with a sense of humor. For the next hour or so, in a movie that is only 81 minutes long, Stu will be trying to keep the man on the other end from pulling the trigger.
Publicist Stuart Shepard finds himself trapped in a phone booth, pinned down by an extortionist's sniper rifle. Unable to leave or receive outside help, Stuart's negotiation with the caller leads to a jaw-dropping climax. Stu Shepard is a fast talking and wise cracking New York City publicist who gets out of trouble and lies with his clever ...
Unusual, yet capricious. From ‘The Lost Boys’ to ‘Batman & Robin’, his career has been considerably scattershot in terms of quality. Phone Booth, whilst quintessentially being a product of its time, happens to be his most simplistic. An arrogant publicist is held hostage in a phone booth by a mysterious sniper who offers him an ultimatum.
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Gimmicky real-time, single-location thriller that benefits a lot from having so many artists giving this more juice than the material requires: you've got exploitation legend Larry Cohen at his trashiest and most economical; originally conceiving this concept of a genre film that takes place entirely within a phone booth for Hitchcock in the 60s but eventually developing it in himself in the ...
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