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Beyond the Forest is a 1949 American film noir directed by King Vidor, and featuring Bette Davis, Joseph Cotten, David Brian, and Ruth Roman. The screenplay is written by Lenore Coffee based on a novel by Stuart Engstrand.
Beyond the Forest: Directed by King Vidor. With Bette Davis, Joseph Cotten, David Brian, Ruth Roman. Resentful of her small-town life, a married woman schemes to run off with a rich businessman.
Beyond the Forest (1949) - Turner Classic Movies. Brief Synopsis. The wife of a Wisconsin doctor kills a witness to her affair with an influential man from Chicago. Cast & Crew. Read More. King Vidor. Director. Bette Davis. Rosa Moline. Joseph Cotten. Dr. Lewis Moline. David Brian. Neil Latimer. Ruth Roman. Carol [Lawson] Minor Watson.
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Beyond the Forest. The wife (Bette Davis) of a Wisconsin doctor (Joseph Cotten) kills a witness to her affair with an influential man (David Brian) from Chicago.
- Drama
Rosa Moline is bored with life in a small town. She loves Chicago industrialist Neil Latimer who has a hunting lodge nearby. Rosa squeezes her husband's patients to pay their bills so she can visit Chicago; her husband's patience is also tried: he tells her to go and never come back.
Beyond the Forest (1949) is a melodramatic, far-fetched high-camp classic and also a fine example of film noir from director King Vidor, with an impressive bombastic, Oscar-nominated musical score by Max Steiner - the film's sole Academy Award nod.
Rosa, the self-serving wife of a small-town doctor, gets a better offer when a wealthy big-city man insists she get a divorce and marry him instead. Soon she demonstrates she is capable of rather deplorable acts -- including murder. King Vidor. Director. Stuart Engstrand.
Rosa, the self-serving wife of a small-town doctor, gets a better offer when a wealthy big-city man insists she get a divorce and marry him instead. Soon she demonstrates she is capable of rather deplorable acts -- including murder.
Beyond the Forest (1949) This was a melodramatic, far-fetched, high-camp classic - and also a fine example of film noir from director King Vidor, with an impressive bombastic, Oscar-nominated musical score by Max Steiner.
