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  1. The Testament of Dr. Mabuse

    The Testament of Dr. Mabuse

    1960 · Thriller · 2h 2m

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  1. The Thousand Eyes of Dr. Mabuse (German Die 1000 Augen des Dr. Mabuse) is a 1960 black-and-white crime thriller film directed by Fritz Lang in his final film. A West German/French/Italian international co-production, it starred Peter van Eyck, Dawn Addams and Gert Fröbe.

  2. The 1,000 Eyes of Dr. Mabuse: Directed by Fritz Lang. With Dawn Addams, Peter van Eyck, Gert Fröbe, Wolfgang Preiss. In 1960s Germany, criminal mastermind Dr. Mabuse uses hypnotized victims and the surveillance equipment of a Nazi-era bugged hotel to steal nuclear technology from a visiting American industrialist.

    • (3.8K)
    • Crime, Mystery, Thriller
    • Fritz Lang
    • 1960-12-09
  3. Feb 24, 2023 · In 1960s Germany, criminal mastermind Dr. Mabuse uses hypnotized victims and the surveillance equipment of a Nazi-era bugged hotel to steal nuclear technolog...

    • 99 min
    • 27.4K
    • THE STREAM - Movies and More
  4. Rent The 1,000 Eyes of Dr. Mabuse on Prime Video, or buy it on Prime Video. Page 1 of 7, 7 total items. Page 1 of 7, 7 total items. Page 1 of 2, 6 total items. Page 1 of 2, 3 total items. A ...

    • (8)
    • Peter Van Eyck
    • Fritz Lang
    • Crime, Drama
  5. Mar 13, 2019 · TRILOGIES Opens Friday, April 19 at Film Forumhttps://filmforum.org/film/fritz-langs-dr-mabuse-trilogy-the-thousand-eyes-of-dr-mabuse(1960) Lang’s last film ...

    • 3 min
    • 7.4K
    • Film Forum
  6. Feb 13, 2024 · The character of Mabuse had already served Lang well, having taken centre stage as the arch-villain in Lang’s silent two-part behemoth Dr Mabuse the Gambler in 1922 and again in The Testament of Dr Mabuse in 1933. After which Lang exited Germany in a hurry, having been made an offer he couldn’t refuse by Dr Goebbels, an arch-villain to top ...

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  8. Oct 1, 2018 · Thousand Eyes is a fascinating amalgamation of 60’s crime film (on the surface anyway) and nihilistic-flavored auteur film. It may not be anywhere near as cinematically brilliant as the first two Mabuse films, yet it remains a compelling effort, ripe with Lang’s scathing worldview, with his ability to play out complex and novel conceits still admirably on display (though more narratively ...